« Contained in these works were not only all the important philosophical developments of modern society… there were even answers to as yet unposed questions. » — Cypher has an epiphany
This week’s topic reminded me of the crucial role an enlightened comic shop owner, especially pre-internet, could play in one’s edification in the medium. Case in point: while I can’t consider him a mentor, my old comic shop guy, being adventurous and open-minded, made a lot of obscure titles available, without necessarily pushing them on his customers. And in a world of ‘super-heroes or bust’, such availability is crucial.
Which brings us to Mr. Brad Teare (b. 1956, Moscow, Idaho). I’ve always had special fondness for comics that bloomed outside the usual channels, like hardy plant life rising up in cracks and miraculously subsisting on nearly nothing.
From what I can tell, Teare’s first professional comics work appeared in a non-consecutive pair of issues of Heavy Metal magazine, during that blessed but oh-so-brief ‘Tundra‘ period when surprisingly enlightened Teenage Mutant Ninja Turtles co-creator Kevin Eastman published, at considerable loss (between 9 and 14 million simoleons), some of the finest comics of the 1990s.
Eastman had purchased Heavy Metal in January, 1992. In the March issue, Brad Teare’s Cypher made its first of two appearances in HM, in marked contrast to the magazine’s prevalent ‘dystopias with titties for arrested adolescents’ aesthetic.
The following year, Teare self-published (under the Crypto Graphica banner, out of Providence, Utah, pop. 7,000 or so) Cypher no. 1, with a cover clamouring that it contained the ‘Complete Cypher Trilogy!’. Teare intended to produce further issues, but the market evidently wasn’t built for it. The book is so obscure that even the Grand Comics Database (GDC) has never heard of it. But my comic shop guy did place an order, and found at least one receptive reader eager to snap up a copy. I waited and waited for a second issue, but in vain.
Then, four years down the road, Gibbs-Smith, “a proud independent publisher and distributor“, founded in 1969, also Utah-based… and still around, assembled and issued a compact (22,5 x 16 cm) hardcover Cypher collection, gathering material that Teare must have intended for at least a couple more issues of his series. Aside from an oddly ‘meh’ cover, overworked and underwhelming, it’s a gorgeous package. It also has managed to fly below the GCD’s radar all these years.
In the meantime, Teare kept his hand in, providing a pair of highlights to DC/Paradox Press’ well-written but frustratingly visually scattershot The Big Book Of series (1994-2000), also finding success as a freelance illustrator (Random House, The New York Times, Sony, Turner Interactive, Flying Buffalo) in all manners of media.
Though he’s nowadays a celebrated and prolific painter of the Utah landscape, he hasn’t altogether turned his back on comics, bless his soul. The final chapter of Cypher (to date?), ‘Sub-Wayward’, introduced, in the story-within-a-story tradition, scientist turned reluctant underground hero The Subterranean. And so, long story short, we find ourselves with a Teare book that’s readily available (for the time being)!
« This comic details the thrilling origin of The Subterranean from his humble beginnings at HyperLabs in New York City to his role as sole defense against a terrible evil perpetrated by the Thanatos twins, former colleagues at HyperLabs. This character of The Subterranean is a spin-off from the critically acclaimed graphic novel Cypher. »
In parting, here’s a video of Mr. Teare demonstrating the impasto technique in acrylics.