« Master of puppets, I’m pulling your strings / Twisting your mind and smashing your dreams / Blinded by me, you can’t see a thing / Just call my name ’cause I’ll hear you scream / Master, master! » — Metallica
I’ve never been a Jim Mooney (1919-2008) fan, though he’s undeniably had a long and respectable career as a penciller (Tommy Tomorrow, Supergirl, Dial H for Hero, Omega the Unknown) and inker (Spiderman, Thor… and countless others). I’ve always found his work a bit stodgy and lightweight.
As these things usually go, however, if you keep an open mind, you’re bound to come up with exceptions, and here’s one.
While Atlas’ pre-Code horror comics were generally saddled with indifferent or nonsensical writing, the artwork on offer was often surprisingly wild. I mean… they even got straight-laced Joe Sinnott to go downright weird on a couple of occasions.
Here’s a short story that’s compellingly sombre, sinister and paranoid, and Mooney perfectly conveys its oppressive mood.
«Then suddenly, like some gigantic serpent out of the deep, a huge, quivering tentacle tose from out of the sea — a sight from any seaman’s maddest, most impossible nightmare –! »
Today we pay another visit to Subbie (or Subby), which every bit as horrible an abbreviation as ‘hubby’ for ‘husband’. We’ve gone over his history in a previous post (see Tentacle Tuesday: Prince Namor, the Sub-Mariner), so now we can concentrate on Action! Adventure!! Excitement!!! What’s on his charged schedule, you might ask? Why, a quick tussle with some Soviet submarines, a few pompous (I’m sorry, I meant ‘dramatic and exciting’) speeches, a plunge intro ‘wintry, unplumbed depths’, a lengthy trip to memory lane, and an epic fight with an unliving cyborg!
My favourite, naturally, are the Soviet submarines.
Moving forward by a little more than 15 years, we get embroiled in a slightly different kind of evil…
When Wakes the Kraken! was scripted by Roy Thomas, pencilled by Sal Buscema and inked by Mike Esposito. Aside from a lot of dialogue (check out the ‘ay, woman… but the time has come for battle… not words!‘), this story also has a lot of plump, high-quality tentacles.
This cover is fun, given that the Symbiotic Man appears to have tentacles on the soles of his feet and the ends of his hair as well. Did somebody actually demand that Namor should fight alone? I was under the impression that Marvel readers were more into ‘the more the merrier’ type of fun.
The cover story is titled Death Is the Symbionic Man!, scripted by Bill Mantlo and illustrated by Jim Mooney. Note the typo in ‘its’ in the second speech bubble.
Did you hear the joke about fungus? You won’t like it, but it will grow on you.
As promised – though you folks may by far prefer tentacles to mushrooms – I am delighted to present this post about mushrooms both real and imaginary.
First of all why mushrooms? Those who know me are aware of my passion for fungus – it’s a gastronomic interest, as both co-admin RG and I love to cook with them, and also a platonic one, an admiration for their beauty and adaptability. In terms of aliens-on-earth, fungus is surely up there with the extraterrestrial octopus. We are currently on vacation, so this is the perfect moment to both admire some of our finds, and rediscover mushrooms in comics.
Usually people react in one of two ways to mentions of gathering wild mushrooms – ‘but how do you know you won’t poison yourself?‘ or ‘magic mushrooms! yeah!‘ The first question is pertinent, although there’s no need to take that horrified tone, and the second reaction is more than slightly one-track-minded.
Just like in real life, comics fungi come in all shapes and sizes: from cute appearances in the background of a cartoony comic, to psychedelic manifestations of the underground, to horror stories peppered with a slice or two of the deadly toadstool, and everything in between! I’ve tried to go for maximum contrast in this post, and include a little bit of everything. Dive in, like we dove in yesterday into our hedgehog-and-honey-mushrooms-pasta yesterday 😉
Speaking of Mercier, I love this anecdote: « One day, Claude McKay, the editor-in-chief of Smith’s Weekly, took a dim view of an X Emile Mercier had drawn under the upwardly extended tail on a cat. After a few stern words about “dirty gimmicks in cartoons”, the grim-faced McKay instructed Mercier to get rid of the cross.This presented Mercier with a challenge. He was someone who used to say you “have to think funny as well as draw funny” and he was not keen to let McKay’s prudish approach to his cat go unchallenged. Mercier’s solution was to draw a miniature roller blind under the cat’s perpendicular tail. He was in no doubt the blind would draw more attention to the cat’s anus than the X had. Fortunately for him, McKay saw the funny side of the addition and let the cartoon run. Not a man to push his luck too far, Mercier drew all future cats without an X at the base of their tails. »
DC’s Tales of the Unexpected offer quite a ménagerie of strange looking creatures! Any peculiar combination of animals you can think of, you’ll find somewhere within the pages of this series. This possibly deserves its own post, as it’s quite entertaining to see artists combining, say, an elephant with a tiger. That being said, I tend to get annoyed at artists who can’t visualize anything truly alien-looking, thus resorting to carving up earth animals and stitching different body parts together… but that’s a different conversation.
Occasionally the artists will also add tentacles, a sure shortcut to make something mundane look properly alien, and this is today’s area of interest! For more questionable monsters, have a gander at Tentacle Tuesday: Convoluted Critters.
And now, onto ‘unexpected’ tentacles, even if the result of this ends up looking like badly-made puppet with a tacked-on beak…
Of course one can’t discount the lasting power of classic vine-tentacles.
Whereas these mini-planets gone bonkers with tentacles-cum-hair bring to mind, but anticipate, something by Junji Ito.
The idea of an interplanetary veterinarian makes little sense for its assumption that life on other planets would have similar physiology to ours (even limiting the scope of action to only planet earth would be too ambitious – ask a doctor to treat a sick jellyfish and see how well he would do), but here we have the satisfaction of a sweet little scene of inter-species succor.
Some 30 issues later, we have another case of rabid tree-tentacles… this time composed of rubber (or something that behaves like rubber, at any rate).
Finally, this tentacled purple gorilla (so his tail is more dinosaur than gorilla, so what?) will no doubt please a regular reader of this blog!
« The tentacles of my followers shall seek you out and destroy your swiftly! »
If you like joyous nonsense, this post is for you! As if humanity wasn’t besieged enough by actual cephalopods, evil-but-brilliant minds insist on creating machines with tentacles to horrify and maim. Pain to some, amusement for us!
First, some definite eye candy. The following story is not only convincingly illustrated, but also makes some sense on a scientific basis. The Menace of the Mechanical Octopus was scripted by Ed Herron, and pencilled and inked by Jack Kirby. It was published in Word’s Finest Comics no. 97 (October 1958).
Now we move on to that goofy-yet-fun series, DC’s House of Mystery. I will readily admit that I’m not always a fan. At worst, some of the stories published within its pages have plots so random that amusement becomes irritated incredulity. But keep an open mind, and there are also very creative (sometimes “were these people on drugs?” creative) plots to be enjoyed and great art to be relished.
The cover story, The Pirate Brain, was illustrated by Lee Elias:
Our next stop concerns Robby Reed, the original owner of the Dial H for Hero gizmo, and his epic (of course) battle with… well, a whole bunch of villains. House of Mystery no. 156 (January 1966) is where he made his début, transforming into the Cometeer, Giantboy and the Mole. So many adventures, all in one (half) issue! This story was scripted by Dan Wood and illustrated byJim Mooney:
From Giantboy we move on to Colossal Boy, more precisely to Colossal Boy’s One-Man War, scripted by Jerry Siegel, pencilled byCurt Swan, and inked by Sheldon Moldoff. It was published in Adventure Comics no. 341 (February 1966).
Skipping ten years ahead, we end up in Marvel territory –
The cover story, The Day the Monuments Shattered, is scripted by Don McGregor and illustrated by Russell:
As a final note, here are some indubitably mechanical, yet not-quite-tentacles – a worthy addition to this post, as far as I’m concerned.