« I was always concerned more with the visuals than with the copy — and the visuals had to be provocative! » — Infantino*, in a nutshell.
To recap, under the parameters I’ve set for this category a hot streak is a series of outstanding consecutive covers by a single artist (inkers may vary) on the same comic book title. Since it’s my party, I occasionally make allowances (e.g. allowing entry to a scruffier, but still presentable, specimen), but it’s more challenging and more fun to play it straight.
By my reckoning, there are very few truly great cover artists to begin with, and their output is often stifled by indifferent, incoherent or hostile art direction, poor lettering and colouring choices beyond the unfortunate artist’s control, lack of interest in the imposed subject matter… you get the picture. And there’s also the difficulty of getting a decent streak going when the editor keeps shuffling cover artists.
I’ve gone on at length (I refer you in particular to Hot Streak: Nick Cardy’s Aquaman, Previously) about the gargantuan amount of work Carmine Infantino (1925-2013) knocked out conceiving comic book covers during his executive years at DC (1966-75), but most of his best designs were executed by others. I mean the man was already doing the work of five people, what more could he do?
« At DC Comics, I worked round the clock, including weekends, and never taking a vacation in the 10 years I served there. I not only was creating new titles, designing most of the covers, plotting stories and going on the road for the distribution of the magazines, plus doing radio shows and then running out to California to be totally included with Puzo and the producers creating the Superman movies I &II. Time got so tight that I would design covers on the way to the airport and have the driver deliver them to Sol Harrison, who in turn gave them to the waiting artists. I would be at my desk from 7 a.m. to 9 p.m. It began to be a destructive grind. »
While Carmine is most closely associated with Silver Age characters The Flash and Adam Strange, I couldn’t discern, in these titles, a run of sufficiently stellar *and* consecutive covers (Flash nos. 139-142 and Mystery in Space nos. 69 to 71 come closest… do bear in mind that I have no consideration for ‘key’ issues or ‘famous’ or ‘event’ covers). It’s no real surprise that Infantino’s design work rose to a crescendo of accomplishment and consistency when he was made the company’s de facto art director, late in 1966. And what was he working on at the time? Batman. So, since Detective no. 261 bears a ho-hum cover and no. 269 is pretty spiffy, but the work of Gil Kane, here’s Mr. Infantino’s hot streak:
Note also the improved logo placement (a return to issue no. 327 original ‘new look’ logo, actually), giving the layout a chance to… breathe a bit better. The Batman cameo at top left is still de trop.
*unless otherwise specified, most Infantino quotes are drawn from his excellent, profusely visual 2001 autobiography (with J. David Spurlock), The Amazing World of Carmine Infantino (Vanguard Publishing).