Tentacle Tuesday: Return to Bizarro World!

Today’s entry is fun and light-hearted, but as this is the last week before Hallowe’en, let’s open on something with a bit more decorum!

Once upon a time, Vincent Price accorded his (paid) stamp of approval to Creamettes, a brand of elbow macaroni. You can read all about that in Vincent Price’s Supper Casserole! on the Dinosaur Dracula blog (where there are plenty of other things, too). I far prefer the version below. Who was this delightful parody created by? Is it something that would be served at The Monster Club with a nice glass of ruby red what-is-this-liquid-anyway? So many questions!

*No actual octopuses were eaten in the making of this post

And now, back to our regularly scheduled pogrom… I mean programme: Bizarro! Visit Tentacle Tuesday: Let’s Get Bizarro and Tentacle Tuesday: That Bizarro Look in Your Eye if you’ve missed previous instalments.

~ ds

Tentacle Tuesday: That Bizarro Look in Your Eye

Today’s Tentacle Tuesday is a continuation of previous post that’s close to my heart. In a little less than a year, I have accumulated a new batch of tantalizing tentacles from the pens and minds of that intrepid team, Wayno and Dan Piraro. The initial post can be found here: Tentacle Tuesday: Let’s Get Bizarro. The loveliest thing is that some of these are from 2021 – I am not taking for granted the fact that these guys just keep going on, with no loss in quality, year after year. Without further delay…

First, some Dan Piraro Sundays – Wayno has been part of the team since 2018, but only on the dailies.

And now, on to the aforementioned dailies! Wayno straddles the line between continuing the Bizarro aesthetic and keeping his own drawing style beautifully, I think.

As a bonus, 3 older Piraro dailies, artfully collated by co-admin RG. Wouldn’t you like to hang this in your home? I know I would.

~ ds

Welcome, One and All, to the Alphabet Soup Kitchen!

« What’s a soup kitchen? » — Paris Hilton

While concocting a post on a favourite oddball obscurity, the one-shot Alphabet Soup Kitchen (1990 Jabberwocky Graphix), I decided to reach out to one of its co-creators, the dapper Wayne ‘Wayno’ Honath, to see if he could shed some light on this delightfully batty project of yore. And did he ever come through!

Wayno’s lavish wraparound cover features most of the issue’s cast, and was coloured by ‘guest Boho Bro’ and publisher Brad W. Foster.

In one of those happy cases of talent and perseverance rewarded, Wayno® nowadays splits creative duties on syndicated strip Bizarro with its originator, Dan Piraro (since 2018, though he’d been part of team Bizarro going back to 2009), with Wayno® ably handling the dailies and Mr. Piraro the Sundays. It’s a fact: Wayno®, thanks to his crisp visual style, sharp gag writing and encyclopedic grasp of cartooning history and archetypes, was just the right ink slinger for the task.

Without further delay, I cheerfully yield the floor to Wayno®, his superbly lucid recollections, and some choice letters from the Alphabet Soup Kitchen!

Sure, I remember doing Alphabet Soup Kitchen! Ted Bolman and I had traded minicomics through the mail, and appeared in some of the same publications. We may have collaborated earlier, but I don’t think so.

I don’t recall whose idea the book was, but it sounds like something I’d have done. I liked to define parameters or constraints for projects, and then work to complete the parts. We split up the alphabet so Ted would do the first half of “A,” then I’d do “B,” and we’d alternate to the end. We sent the pages to each other by mail.

There were two different printings. I printed it as one of my “No Way Comics” minis. The interior was black & white, and the wraparound covers were brown ink on an off-white textured stock. I used a local printer for my minis, and most of them were offset printed, not Xeroxed. (I did several “secret” publications in editions of 50 or fewer, and those were Xeroxed.) They’d offer a free ink color once a week, and that’s how the brown ink on the cover came about. I drew the inside cover endpapers.

After my minicomic version was published, Brad Foster contacted me about doing a larger reprint under his Jabberwocky Graphix imprint. I drew a new wraparound cover featuring characters from the interior. I included a photo of two men wearing some sort of jaw-braces to represent the Boho Brothers, and also drew these guys on the cover. I can’t recall whether the endpaper drawings were included in this edition. I have a copy somewhere, probably in my office/storage space. I believe that Brad Foster may have done the color work on the cover. Yes, just confirmed that on the Poopsheet Foundation webpage (a good source of minicomics images and info).

I also included copies of my original printing in one of two multi-packs I offered for sale. This was in a set called THE NO WAY MINICOMIC FUNBAG, which included Boho, Uncontrolled Copy, The World’s Most Dangerous Animal, and one bonus minicomic from my backstock. They were packaged in a plastic bag with a wraparound cover.

Incidentally, the title is an example of a form of wordplay I still use from time to time in Bizarro. I couldn’t find a good descriptive name for this, and I coined the term streptonym, which still hasn’t caught on. I first blogged about it here: https://waynocartoons.blogspot.com/2011/08/whatchamacallit_11.html

That’s as much as I can come up with off the top of my head!

Watch the brief, eerie documentary entitled… Göring’s Ghost.
Nuns with rulers? A classic theme! “The nuns who smacked me and my friends at our small elementary school in New Jersey were Sisters of Charity, a cheap bit of irony that always draws a chuckle when I talk about being on the receiving end of those holy rights and lefts.
To join the Roy Orbison Fan Club, the line forms here.
Perhaps you’d like more details on Tyrone’s rather swanky tie? Say no more… here you go.
In case you doubted it (for shame!), yes, there *is* such a thing as Yiddish Yodeling.
Zachary the Zombie’s version hasn’t been committed to tape, I’m afraid, but here’s a rendition of Less Than Zero by its composer.

I mentioned to Wayno® that I enjoyed his cover work for Dana Countryman’s Cool and Strange Music magazine (28 issues, 1996-2003), to which he responded:

Cool & Strange Music was great! I’m still friends with Dana Countryman, and I still admire that he was able to continue self-publishing it for so long, and always on schedule, and he always paid for the art. He was more reliable and professional than a lot of bigger mainstream publications I worked with!

This was the first issue I chanced to get my mitts on. Some back issues of this most excellent publication are still available (at most reasonable prices!) from this fine source!

Once more, three cheers and my most heartfelt thanks to Wayno® for his generosity and kindness. Best of luck with everything!

-RG