Hallowe’en Countdown VI, Day 29

« I’m alone with the ghost of the swamp, somewhere near the weeping willows. » — Steven Herrick

Today, we pull on our wellies and boldly venture into the depths of the mysterious swamp, but not entirely unprepared: on this occasion, I turn the microphone over to an acknowledged expert en la matière visqueuse, Mr. Stephen R. Bissette. I queried Steve about his early work for Scholastic and he most munificently lifted the veil on those wild days of youth:

« Well before my stint on Swamp Thing, I drew two swamp monster stories (one of which I’d also scripted) for Weird Worlds for Scholastic Magazines back in the day. The magazine’s editors were Bob and Jane Stine (Bob aka R.L. Stine), who wrote the first of the two stories; the magazine art director was Bob Feldgus, who was always a joy to work with, and trained me well.

The story titles are counter-intuitively reversed, in a way. “The Return of the Swamp Beast” was originally published in Weird Worlds no.3 (October 1979) in black-and-white, colored for its reprint in Yearbook no.1 (and only, 1986). Enjoy! »

The Return of the Swamp Beast was coloured by Brendan McDonough.

« These were among my favorite early freelance gigs, and remain my favorite magazine account and people I was fortunate enough to work with and for. The Stines and Bob Feldgus extended the best, most gracious, most responsive relations with this freelancer of any I had in those formative early years; it also was the best-paying of all the early freelance gigs, extending the greatest freedom for me to do the work itself, and they boasted the best production and printing of any publisher I worked for then (even better than Heavy Metal).

My entry into the Scholastic freelance pool was via a one-shot horror story for Scholastic’s then-new zine Weird Worlds. Joe Kubert brought me into his studio/office in the Baker Mansion (which has long since been the dorm for the Kubert School rather than its headquarters and main building, as it was during its first few years) and asked if I’d be willing to draw a short (three pages, if memory serves) horror story for a magazine intended for schools; I would be doing the whole art job working from a silly but fun script by Bob and Jane Stine, co-editors of the zine, and my name would not go on the job, it would be credited to The Joe Kubert School of Cartoon and Graphic Art, Inc. Fair enough! I was still a student after all, and this was my shot at doing something different.

I was overjoyed to have the shot, and did my best on it. Part of the appeal, mind you, was drawing a horror comic for schools. During my early ’60s childhood, any comics brought to school were verboten and usually confiscated, horror comics above (or beneath, in the minds of my teachers) all. So, drawing a horror story that was intended for distribution to junior high students—sanctioned horror comics for school!—was a hoot and a bit of karmic comeuppance I was happy to be part of.

Joe was delighted with what I did with the script, as was Scholastic. I wanted to do more. One of (many) great acts of generosity Joe extended my way was gifting me with the account with Scholastic when I graduated in the spring of 1978 from the Kubert School, and thus began my happy few years of working with Scholastic—an account that often paid the rent and kept me working when work in comics was hard to come by.

Scholastic treated me like a prince. They paid well, paid promptly upon delivery of the finished pages, and were always a joy to work with. Like all good things, this passed: Weird Worlds was cancelled after a few issues, and after a couple of jobs for Bananas I moved on to other things, including pencilling Saga of the Swamp Thing beginning in 1983. But I always loved working with and for Bob and Bob, and I miss ’em both. I eventually collected some of my work for Scholastic for two comicbooks in the late ’80s, and did so with Scholastic’s permission. »

That source, Bissette & Veitch’s Fear Book (Apr. 1986, Eclipse) is the one we tapped for this post, and the most affordable solution should one crave more of these sharp little tales. Here’s another, this one a Bissette solo (including the colouring), originally from Weird Worlds no. 7 (Jan. 1981, Scholastic).

« Who remembers these magazines? Bananas and Weird Worlds seem to be lost in the limbo of all school zines; no comics sites acknowledge them or offer back issues for sale (none I can find, anyway), and general online searches turned up little. Back in 1995, The New York Times ran an interview/article on Bob Stine when his Goosebumps TV series was about to debut, making mention of Bananas magazine. There’s a number of online sites dedicated to Stine’s famous and beloved Goosebumps books series, but Bananas and Weird Worlds are less than footnotes in the long shadow of Goosebumps.

There’s a handful of affordable back issues of Weird Worlds available on various online venues and auction sites; I’m in almost every issue. One cautionary note: If you go looking on eBay, though, don’t confuse the Scholastic media zine Weird Worlds with the lurid, gore-splattered Eerie Publications 1970s newsstand horror comic magazine Weird Worlds. Those are fun in their way, too, but you won’t find me in there—just my eye-tracks from reading ’em three decades+ ago.

I’ve long wished to convince Scholastic to consider a collected edition of this body of work, but each & every attempt to engage has fallen on deaf ears. I’m still proud of this work, and as a precursor to the very successful R. L. Stine Goosebumps franchise & Scholastic graphic novels of today, can still hope that one day someone at Scholastic will have the “lightbulb” moment… »

I truly can’t thank Steve enough for this bounty of information — you just can’t beat going straight to the source, particularly with a source this friendly and eloquent!

-RG

Tentacle Tuesday: Can of Worms

Today we play a game: yes, those long slithery things are wrapped around somebody’s ankle… but are they tentacles, or worms?

In real life, worms (even predatory) don’t really wind around their prey or suffocate them. A biologist could tell us whether they ever ‘hunt’ in huge numbers, but I think we can be fairly certain that the scenes depicted below have never happened in real life. If disbelief must be suspended, I’d rather string it up for a cephalopod invasion, rather than a worm onslaught (ick)… But the characters of this post have had to deal with both kinds of threat. Let’s get on to it!

Worm or tentacle? Well, these have eyes at the end of… of whatever it is… and they seem like individuals, so probably worm. Hey, those who have read this issue before, no spoilers, please!

The Saga of Swamp Thing no. 6 (October 1982, DC). Cover by Tom Yeates.

Let take a look inside this issue…

Page from Sins on the Water, scripted by Martin Pasko, pencilled by Tom Yeates and inked Tom Yeates.

What do you think? These seem to originate from the same source. Let’s peek at the next issue – cephalopod confirmed!

Page from I Have Seen the Splintered Timbers of a Hundred Shattered Hulls, scripted by Martin Pasko and pencilled by Tom Yeates. This story was published in The Saga of Swamp Thing no. 7 (November 1982, DC).

Moving on to our next puzzle! Those are surely tentacles, belonging to some cephalopod monstrosity with a thousand arms:

Hex no. 4 (December 1985, DC). Cover pencilled by Mark Texeira and inked by Klaus Janson.

And yet… the cover story is Worms, scripted by Michael Fleisher, pencilled by Ron Wagner and inked by Carlos Garzón. I stand corrected!

Worms. Grabby, slithering worms. Ugh, please.

Moving on! With a texture distinctly reminiscent of some sort of slug, the following whatchamacallits could be either… but the planet that hungers is using its tentacles, and not worms, to feed. Ping! Correct. This makes the following scene no less disquieting – oh, somebody bring me back to the normal, sea-faring octopus…

This is Battlestar Galactica no. 10 (December 1979, Marvel). Cover pencilled by Pat Broderick and inked by Terry Austin.

Let’s have one last go. This cover so clearly depicts Abby getting grabbed by some underwater tentacled monster, that it regularly appears in tentacle-related searches…

Swamp Thing no. 11 (July-August 1974, DC). Cover by Luis Dominguez (speaking of whom, co-admin RG has a treat for you later this week!)

And yet! The cover is the self-explanatory The Conqueror Worms!, scripted by Len Wein and illustrated by Nestor Redondo. The star creatures of this story are actually pretty adorable, especially their mini-trunks and moist, sensitive eyes:

When somebody killed one of those things, I was seriously peeved.

I hope some of these examples gave you pause, even if for just a little bit!

~ ds

Tentacle Tuesday: Mechanical Tentacles

Mechanical tentacles! Cephalopod monsters communicating by mental telepathy! Even Jimmy Olsen playing the part of a monster in an alien horror movie! Yes, it’s all this and more in this Tentacle Tuesday post (after which I’ll quit bugging you with various cephalopods until next Tuesday).

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There’s nothing quite as annoying as someone who wants to be your friend against your wishes. Superman’s Pal, Jimmy Olsen no. 43 (March 1960), pencils by Curt Swan and inks by Stan Kaye.

Head over to the Fourth Age blog for a further discussion (with pictures!) of the cover story from this issue, “Jimmy Olsen’s Private Monster!”, written by Jerry Siegel (ahem…) and illustrated by the aforementioned Curt Swan (pencils) and John Forte (inks).

The two-eyed, many-tentacled mechanized wonder appears again in Superman’s Pal, Jimmy Olsen no. 47 (September 1960):

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It’s the same cast: pencils by Curt Swan and inks by Stan Kaye; letters by Ira Schnapp.
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Freaking cute.

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In a similar line of thought (but some 15 years later), a more steampunk relative of the creature above appears in Swamp Thing.

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Swamp Thing no. 17 (July-August 1975). In case the credits are too small to read, script by David Michelinie, pencils and inks by Nestor Redondo, colours by Tatjana Wood, letters by Marcos Pelayos.

And here’s a peek at the glorious (I’m a fan of Redondo) inside:

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« But destroying that thing doesn’t answer the questions it brought up… like what a stainless-steel octopus is doing in the middle of a jungle… » That’s an excellent question – but destroying this mechanized, tentacled abomination was still a good idea, answers or no.

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Here’s another file for our records of Tentacular fascination: the Boy Commandos’ intrepid gang of feisty moppets, tired of fighting Nazis, switch it up by doing battle with some tentacled robots.

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Boy Commandos no. 17 (September-October 1946). Cover by Jack Kirby.

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I couldn’t very well have a mechanically-minded Tentacle Tuesday without mentioning Dr. Octopus, one of Spider-Man’s most famous foes! Otto Gunther Octavius, a.k.a. Dr. Octopus, a.k.a. Doc Ock was created by Steve Ditko, and first appeared in The Amazing Spider-Man no. 3 (July 1963). Obviously I could feature a gallery of Dr. Octopus tentacles as long as your arm (pardon the confused anatomical terminology on my part), but I’ll limit myself to a couple.

First, The Amazing Spiderman no. 12 (May 1964), cover by Steve Ditko. The “Look who’s back!!” caption pointing to the Doc is rather mystifying, given that he was there in the previous issue.

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Second, an underwater scene, because what element more appropriate for tentacles? Kudos to Doc Ock for making his perfectly watertight.

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JFC, does this guy ever shut up? Especially given that Spiderman can’t even hear him? Splash (no pun intended) page from The Amazing Spider-Man Annual no. 1 (September 1964), with art by Steve Ditko.

Dr. Octopus’ metallic appendages, resistant to radiation and of great strength and agility, were originally attached to a harness…. but became fused to his body after an explosion involving radioactivity (what else?) They were surgically removed, but he could now control them telepathically from a distance. Spooky.

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Poor Spider-Man is always getting attacked by tentacles, even when Doc Ock isn’t around! These belong to a robot built by a “nutty professor” to trap anything spider-related. A prize will go to the perceptive reader who can tell us how many tentacles this thing possesses – like, a million, would be my guess. The Amazing Spider-Man no. 25 (June 1965); cover by Steve Ditko.
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Smythe’s robot in action, ensnaring Parker instead of the spider he’s holding in a globe (and nobody but us readers knows why!) J. Jonah Jameson, publisher of Daily Bugle, watches enthusiastically from the sidelines.
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Okay, maybe the robot doesn’t have as many tentacles as the cover seemed to suggest. Here’s Spidey hotly pursued by Mr. Jameson, whose maniacal glee is a little scary. (I will readily admit I partially chose this panel because of Parker’s jiggly butt).

~ ds

“I’m sixty-three now, but that’s just 17 Celsius”*: Happy Birthday, Stephen Bissette!

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A panel from « Return of the Swamp Beast! », story by Jane and Bob (RL) Stine, art by Stephen R. Bissette, originally published in Weird Worlds no. 3 (Oct. 1979, Scholastic.) This is the colour version from the one-shot Bissette & Veitch’s Fear Book (April, 1986, Eclipse.) Colours by Brendan McDonough.

Ah, that old Earth’s taken another whirl, and so today, the wonderful Stephen Bissette, that most erudite master of terror *and* one of the truest, most steadfast gentlemen the medium has known, observes another birthday. He first breached this plane of existence in the wilds of Vermont some sixty-odd years ago today, on March 14, 1955. Let’s wish him all the best, shall we?

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The original art of this silk-spewing splash was reportedly acquired, by proxy, by erstwhile Calvin Klein Jeans model Brooke Shields. I like to envision it occupying a place of honour in the dining room of her favourite mansion. Or perhaps in the bedroom, right above the headboard?

This is from Saga of the Swamp Thing no. 19 (December, 1983, DC.) Quite respectably co-plotted and scripted by Martin Pasko (with Mr. Bissette), this predates epochal game-changer The Anatomy Lesson, but the Bissette/Totleben dream combo was already scorching eyeballs, en attendant Mr. Alan Moore’s accession.

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Newlyweds Rich and Jamie meet this dusty fellow, for the first and final time, in Egyptian Graffiti, story by Jane and Bob Stine, art by Stephen R. Bissette, originally published in Weird Worlds no. 2 (March 1979, Scholastic), also collected in Bissette & Veitch’s Fear Book , with colours by Michele Wrightson.

-RG

*George Carlin may have said that, or something to that effect. Who knows, these days?