Today’s Tentacle Tuesday is a really fun one, given that its focus is the snazzy art of Richard Sala (1954-2020), deceased, alas, far too soon at 65, when he was about to launch a new webcomic.
Granted, perhaps the plots of his stories often don’t make that much sense. But! they’re awash in half-naked damsels, sad-eyed defeateds, vampires and ghouls of all kinds, a mad scientist or two, dark alleys and schoolgirl academies and strangely ominous museums and… all of this drawn in Sala’s easily recognizable, deliciously scary style. Peculia is definitely involved in this post (see co-admin RG’s Hallowe’en Countdown IV, Day 17), but so is Judy Drood, girl detective, plucky heroine and first-rate fighter… and a host of other characters! So follow me as I kick things off with some beautifully painted Evil Eye covers (and backs!) – Sala had an impeccable sense of colour.
I complimented Sala’s beautiful colour work earlier (and hopefully demonstrated this point!), but Sala’s black-and-white work is equally satisfying. Shall we have a look-see?
Some plant tentacles make an appearance in Peculia and the Groon Grove Vampires (2013, Fantagraphics):
The Grave Robber’s Daughter (2007, Fantagraphics) spins the yarn of what happens when Judy Dredd is stranded in a strangely empty town… empty until the clowns come out, that is. I really enjoyed this 96-page tale (read it here), with its quick-paced, cohesive plot, top-notch art and of course a good dose of Coulrophobia. I don’t like clowns, either. Here are two pages highlighting Freddie, ‘the Crawling Thing’, and his manifold tentacles:
Finally, as a little bonus, I am including a pin-up that doesn’t have any tentacles to recommend it, but is otherwise perfectly appropriate to this not-quite-end-of-September. Co-admin RG has plenty up his sleeve with his upcoming Hallowe’en count-down, but I am allowing myself just one furtive foray into vampire territory…
Sala explains: « According to the editor, I was one of only a few of the cartoonists asked to submit ideas whose submissions were ‘sex positive’. That is, according to him, most of the submissions by younger cartoonists were more in line with the kind of scatological, angry, ‘gross-out’, excretion-happy humor more typical of today, or focused on the adversarial relationship between men and women. My somewhat sweet oral sex joke seems pretty quaint in comparison, I guess. »