« Even as a youngster reading 2000 AD from its first issue in 1977, it was clear that Brian’s artwork was special. It was the perfect mixture of American-inspired dynamism, a British sense of the absurd, and avant-garde European SF imagery, rendered in meticulous, almost inhumanly perfect linework. It was a deeply seductive style… » — David Roach
As far as I can tell, everyone loves Brian Bolland‘s (b. 1951) work. It’s sophisticated in design yet direct, highly detailed yet clean as a whistle *and* neat as a pin, technically adept, varied but unfailingly his. As a sequential cartoonist, he can be a bit stiff, but as a cover artist, he’s pretty untouchable. For about a second and a half, I was tempted to spotlight his work in our Hot Streak! category, but that would have been absurd, such is Bolland’s high level of consistency and volume of work. So I’ll “merely” feature an even dozen of his Animal Man covers (out of a total of 64, 1988-1993).
After Alan Moore made an unexpected splash with his work on Swamp Thing, the folks at DC scrambled, in ‘have you got a sister?‘ fashion, to strip-mine the UK’s writerly talent pool. In came Grant Morrison, Neil Gaiman, Pete Milligan, Jamie Delano, Garth Ennis, Warren Ellis, and so on…
For the cockiest of these writers, the typical bravura move was to prove their commercial acumen by revamping the most obscure existing character they could think of* (typically, characters DC’s then-editors had never heard of); in Gaiman’s case, it was Sheldon Mayer’s Black Orchid**, and in Morrison’s, Animal Man. As minor characters (a lesson learned from Alan Moore’s Watchmen), these heroes could be subjected to numberless and unceasing torments and humiliations at the writer’s whim.
Created by writer Dave Wood and illustrator Carmine Infantino, Animal Man was introduced, sans costume at first, presumably as he was intended as a one-off, in DC’s long-running SF anthology Strange Adventures no. 180 (Sept. 1965). First known as A-Man, he gained his superhero togs in his third appearance, Strange Adventures no. 190 (July 1966). After a mere five appearances in SA, he virtually vanished… until the second ‘British Invasion‘.
*To be fair, their first eighty-five choices likely had proved unavailable.
**Mayer had asked that his 1970s creation, The Black Orchid, never be given an origin or have her mystery dispelled. Gaiman just aped what Mr. Moore had done (but brilliantly) with Swamp Thing… and made her a literal plant. Bah.