One Furious Woman and a Hatchet: the Saga of Carrie Nation

« In 1900, she bought from a Medicine Lodge hardware store the implement that became both her weapon and her symbol — a hatchet — and at the age of fifty-four sallied forth on a smashing campaign that carried her across the country, shouting: ‘Smash! Smash! For Jesus’ sake, Smash!’ »

These days I’ve been reading Ardent Spirits: The Rise and Fall of Prohibition (1973) by John Kobler. I didn’t know much about the temperance movement in general, but what surprised me most is how intimately it was tied to suffragette activism. It’s in Ardent Spirits that I came across the fascinating character of Carry Nation*, a bulldog, running along at the feet of Jesus, barking at what He doesn’t like’. She seems a very fitting figure for a post on this March 8th, International Women’s Day.

Whether she was a total barmpot or a blazing visionary is up for some debate; I must give credit to Kobler, who cobbled together a fairly well-balanced portrait of her while many historians tended to quickly dismiss this hatchet-wielding devotee as a crazed lunatic. While basic facts remain the same (disagreement about Nation’s height notwithstanding), interpretation of events and motivations varies wildly. This can be quickly demonstrated by comparing two modern articles of some depth: Carry Nation is described as ‘a flamboyant, theatrical and completely outrageous woman at nearly 6 feet tall [..] smashing barrels on stage and singing her temperance songs to enthusiastic audiences who howled for more‘ (Carrie Nation: American Woman by Richard Behrens) but also as ‘a fearless populist progressive just over 5 feet tall** […] fighting tirelessly for good governance, women’s rights, civil rights, and cleaning the corruption out of the body politic‘ (Hatchet Nation by Mark Lawrence Schrad).

One of six postcards published in 1905 depicting Nation’s ‘hatchetations’: On the Warpath; Raiding a Public House; Addressing Cigarette Fiends; Smashing a Pub; In a Restaurant; In a Pub.
Cartoon from 1901 published in The Freethought Ideal, Vol II, 1901.

Nation went through an arsenal of weapons (aside from rocks and incidental objects, a sledgehammer) before settling on her beloved hatchet and coining the term ‘hatchetations’ to describe her saloon smashings. It comes as no surprise that she grabbed cartoonists’ imagination, even taking into account that real juicy conflict remains unillustrated (and this was a ruthless war between temperance advocates and their opponents). Just picture this colourful scene — a woman, garbed in the usual constrictive dress of early 19th century, marching into a bar and smashing up bottles, mirrors, chairs, slot machines with her trusty little axe. This striking image is likely why Nation’s name is first to spring up when the topic of prohibition arises in modern conversation.

American newspaper cartoon, 1901.
A cartoon in The Gazette by Harry Larimer, published in 1901.
Cartoon from April 14th, 1901.
Cartoon by Louis Walrymple published in Puck, v. 49, no. 1256 (April 3rd, 1901).
Cartoon published in the Minneapolis Journal on February 6th, 1901. You’ll doubtlessly notice that this caption gets around a lot!
Puck, 1908.

Happy Women’s Day (and Women’s History Month) to all readers!

~ ds

* This original name came about when Carry Moore, named Carry by a semiliterate father, married David Nation. She preferred to spell her name as ‘Carrie’, until she married David, yielding the grandiose full name Carry A. Nation (A. stood for Amelia), ‘carry a nation for temperance’.

** This question of height intrigues me, for most articles describe Nation as tall and powerful. Mark Lawrence Schrad, who just portrayed her as being just over 5 feet tall, has also written another article in which he calls her ‘imposing in stature, prone to violence and—claiming God spoke to her, urging her to attack saloons—slightly unhinged‘.