« So to this my life has come: there’s meaning in a piece of gum » — Parthenon Huxley, Bazooka Joe
We recently lost another fine cartoonist in Howard Cruse (May 2, 1944 – Nov. 26, 2019), and while he’s most frequently celebrated for his pioneering work in Queer comix and his graphic novel Stuck Rubber Baby, I’m much fonder of his comparatively ‘lightweight’ humorous work. In other words, I’ll take the wacky short stories over the Ponderous Magnum Opus, thank you.
And things don’t get any lighter than Bazooka Joe, now do they?
In 1983, Howard Cruse was engaged by Topps to redesign Bazooka Joe and illustrate a new set of strips, the series’ first true update since co-creator* Wesley Morse‘s passing in 1963. Topps, figuring on more-or-less total turnover of its kiddie audience, had been rotating batches of strips every seven years, drawing on the vast hoard of unpublished strips left by Morse, and now and then hiring freelancers to pad out the lot.
Then, in 1990, when the time came for another series, Topps opted to subcontract the work to a marketing company that dismissed Cruise’s work as « too goofy », according to Jay Lynch. Then Lynch, Pete Poplaski and Grass Green took up the gauntlet, which is a fascinating tale in itself… but one for another day.
If such lowly cartoon ephemera hold even the slightest sway over you, you’ll likely be very interested in Topps’ Bazooka Joe and His Gang (2013, Abrams ComicArts, edited by Charles Kochman), which proved an invaluable resource in cobbling together this post.
« Bazooka Joe has become the personification of the lowest form of humor. And this is why he’s one of the most widely known comics characters on the planet. Sure, the jokes were cornball. But that’s their appeal. » — Jay Lynch
*with Topps executive (and Golden Age comic book artist) Woody Gelman.
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