Sometimes I stumble upon a comic with a fight-to-the-death scene in which something-or-other- with-tentacles plays the role of a lethal enemy for our hero – but upon closer inspection, in turns out that the ferocious creature is… gosh-darned cute. I mean, how can you kill anything that has adorable whiskers, or tufted eyebrows like Oscar the Grouch?
When your attackers are carrots with tentacles, and they really get on your nerves (although I think Ann is safer with them than with Dr. Maylor), I’d suggest throwing them into a nice big pot of soup, maybe… but if you please, do consider abstaining from flinging acid at them.
While we’re on that topic: things get delightfully wacky and madcap (not much) later in the story. Namely, Napoleon Bonaparte and Benjamin Franklin are summoned for help against the tentacled carrot-horde.
« Certain types of stories make perfect television fare. In the realm of the ghost story, however, I think the printed page has some advantages and I want you to discover them. When you read, you can be alone — absolutely alone. » — Alfred Hitchcock (but likely Robert Arthur in his name and place.)
Today, we feature Fred Banbery’s fabulously detailed and, well, haunting illustrations for « Alfred Hitchcock’s Haunted Houseful ».
Frederick Ernest Banbery (1913-1999) was perhaps the definitive Paddington Bear portrayer, but for me, it’s his Hitchcock-related work that truly sings. He illustrated three Random House Hitchcock books for younger readers: Haunted Houseful (1961), Ghostly Gallery (1962), and Solve-Them-Yourself-Mysteries (1963), plus the covers of a handful of Hitch paperback short story collections. These books can still be had surprisingly cheap to this day (I just checked eBay, and it holds), so keep an eye out. Every picture’s a gem, to say nothing of the stories!
My wife said something about my « stretching the definition of comics » with this one, but, honestly, thanks to the cartoony style, this feels more authentically like comics to me than, for instance, most comics painted in a self-consciously ‘realistic’ style (think Alex Ross, Jon J. Muth or Kent Williams), not that I’m disparaging that approach… it’s just not my thing.
« I tell ya, Spirit… this neighborhood is like a lit firecracker… »
I’m surprised that it took us this long to get to Will Eisner and his signature creation, The Spirit. Is it perhaps too obvious a topic? Nah. Though the ink and the pixels may flow, and even if everyone and his chiropractor has already waxed rhapsodic about old Will, the subject retains its depths of evergreen freshness.
For most generations of cartoonists, Eisner is an irresistible influence. My own initial encounter came in the early 1970s, when I glimpsed ads for Warren’s Spirit reprints in the rear section of Famous Monsters of Filmland. And then I was introduced to his groundbreaking style and storytelling approach… only it wasn’t, in this case, quite his.
In 1975, I had stumbled upon a Dutch collection of WWII-era Spirit newspaper strips (The Daily Spirit, Real Free Press, 1975-76… a publication designed by none other than Joost Swarte), and I was captivated… by the ghost work of no less than Plastic Man creator Jack Cole!
I won’t go over the action-packed history of the character… what I’ll focus on here instead is inextricably linked to Eisner’s terrific business acumen: having held onto his character’s ownership, he could shop him around the publishing world, a process still unfolding to this day, well beyond his own passing.
The Spirit, that well-travelled rascal, has witnessed his exploits bearing many a publisher’s imprint, from Quality to Fiction House, through I.W. (naughty, naughty!), Harvey, Kitchen Sink, Warren, and DC… so far. And the coolest thing is that Eisner was along for most of the ride, creating glorious new cover visuals for the venerable archives.
Today, we’ll focus on Quality’s output (1942-50), which alone was contemporary to the strip’s tenure. About half of it was Eisner, but I’m no purist: the man hired some of the finest ghosts in the medium’s history, when it came to both story and art. To name but a few favourites: Manly Wade Wellman, Jerry Grandenetti, Jules Feiffer, Wally Wood…
As for the insides… I’m tickled to inform you that all of Quality’s issues of The Spirit are available gratis on comicbookplus.com. Enjoy!