While Autumn is easily my favourite season, much of its magic and colours are gone by the purgatory that is the month of November, and I find myself longing for snow to brighten the relentlessly longer and gloomier evenings.
Well, then! This post consists of a(nother) gallery of Warren Kremer‘s delightful Harvey covers, this time with a snowy theme. Never truly ‘ha ha’ funny, they get along on charm and crafty, limpid conception and execution.
Has this ever happened to you? You’re sailing along, just minding your business, concentrating on fishing or just taking a pleasure cruise, when suddenly you’re abruptly attacked by shifty tentacles. What do you do? Defend yourself with a tickle assault!
Some octopuses sneak onboard to be helpful…
… And some are just pissed off about their dwindling food supply. (Or perhaps that fish was a personal friend.)
If there’s any moral to these tales, it’s that fishing is hazardous business.
« Y’gotta develop an annoying compulsion if y’wanta get anywhere in this world! » — Dan Clowes’ Willy Willions (Eightball No. 5, Feb. 1991)
Dorothy Polka, known to the world at large as « Little Dot », made her first appearance in Harvey’s Sad Sack Comics no. 1 (Sept. 1949). All you need to know is that she’s inordinately fond of dots and circles, and that she has an absurdly large extended family. That raises a few choice questions, but we’ll leave them for someone else to tackle.
While I cheerily dismiss the bulk of Harvey Comics’ post-Code output as at best charming in a decidedly minor way, I opt to focus on the line’s most singular highlight: art director/chief artist Warren Kremer‘s endlessly inventive and escalatingly bonkers cover variations on the Harvey stable’s absurdly formulaic monomanias. Kremer clearly viewed the preposterous task he’d been handed as an opportunity to continually challenge himself with elegant design exercices and experiments. While I see little point in collecting, nor even reading most Harvey Comics, my admiration for Mr. Kremer just grows and grows. Perhaps these examples will give you a sense of what I see in them.
Oh, and bonus points to Kremer for his increasingly callous treatment of that omnipresent visual blight, the Comics Code Authority stamp. Clearly, he judged the censorious seal de trop.