I can’t help returning to Warren Kremer (today’s his birthday, not coincidentally; he was born on June 26, 1921, passing away on July 23, 2003), first because I adore his work, and second because I quite concur with Jon B. Cooke‘s bold but sensible assertion that Kremer…
« … is an extraordinarily talented artist. A master of design, character nuance and just plain exquisite drawing ability, he is perhaps the most underrated – or even worse, ignored – comic book creator of significance in the industry’s history. »
And why is that? A combination of working outside the superhero genre and of doing it, uncredited and for decades, on the ole Harvey Family Plantation.
This blog’sIt’s a Harvey World category might as well be called It’s a Kremer World, since he’s pretty much had the spotlight to himself.
But Kremer’s comics career precedes his arrival at Harvey; after working for the pulps in the late 1930s, he entered the comic book field, and a sizeable chunk of his early work was done for Ace Magazines (1940-56), and this is the area we’ll be exploring today.
Happy birthday, Mr. Kremer — wherever it is you may roam!
The Magic Yarn, published in Mary Marvel no. 2 (June 1946, Fawcett), was scripted by Otto Binder and drawn by Jack Binder. This immensely entertaining story about an old bat with dreams of world domination involves an octopus, some bondage (of course!), and lots of knitting. (Read it here)
Moving on to actual (rather than knitted) octopuses, here’s the original art from On the Bottom of the Sea, published in Little Max no. 16 (Harvey, April 1952). The story artist may be uncredited on GCD, but we know that it’s Al Avison 😉
The Little Wise Guys tangle with an ornery cephalopod. Giggles ensue! This is Daredevil Comics no. 111 (June 1954, Lev Gleason), with a cover is by Charles Biro. The cover story is Scarecrow’s Lucky Blunder, scripted by Charles Biro and illustrated by Ralph Mayo.
Finally, making an epic effort to wrench myself away from the tender embrace of the Golden Age, I’ll accelerate a little too much and end up in all the way in 2015. Here’s a page from Scarlett Hart: The Tentacles of Terror by Thomas Taylor and Marcus Sedgwick.