Tentacle Tuesday: Tangles with Adam Strange

« The menacing tentacles came probing down out of the sky in a fantastic quest for the secret of life! »

To celebrate Tentacle Tuesday, I’ve planned a visit to the mysterious planet Rann, as seen through the eyes of Adam Strange, that intrepid, quick-witted, teleporting archeologist. (First, a little context: Adam Strange was created by Julius Schwartz, with a costume designed by Murphy Anderson. He first appeared in Showcase #17 (November 1958). At first, Gardner Fox’s scripts were penciled by Mike Sekowsky, but this task was assigned to Carmine Infantino once the character moved to Mystery in Space, with Murphy Anderson inking most of the stories. As much as I like the Infantino + Anderson team, today’s contributions mostly involve other inkers.)

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Mystery in Space no. 60 (June 1960). Cover inked by Carmine Infantino and inked by Joe Giella. “The Attack of the Tentacle World!” is scripted by Garner Fox, pencilled by Infantino and inked by Bernard Sachs.

That green thing? That’s Yggardis, a sentient planet that (who?) craves companionship. Here’s its highfalutin explanation, in that pompous English that Enemies of Mankind use when detailing their raison d’être to their victims: “For uncounted centuries, I have roamed the universe, raiding other worlds for their life-forms, lifting them in my tentacles! Unfortunately no form of living thing which I stole from other planets could live on me more than 24 hours!” The solution to that is (obviously) to steal even more animals for its private, deadly zoo, which is what it proceeds to do on Rann.

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Yggardis’ problem is solved when Adam blows it into carefully calculated smithereens, thus separating its radiation-producing mind from the rest of its inert body. A comparison is made to human surgeons removing deadly tissues and organs from an ailing patient. Uh, yes, surgeons regularly use explosives to sever their patients’ brains from their bodies, thus eliminating the need for expensive medication and such.

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Mystery in Space no. 65 (February 1962), artwork also by Infantino and Giella.

The Mechanimen are anthropoid robots hellbent on protecting humans on Rann, destroying all their weapons on the principle that “weapons breed mistrust! mistrust breeds wars!” When the Mechanimen, while attempting to repel a sneak attack by some hostile aliens, run out of power (they “mechanically never gave a thought to renewing their power” – what?), Adam has to save the day, much like he has to avert disaster every time he sets foot on Rann. How did Rannians ever survive without him around?

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Adam doesn’t only have to confront mechanical tentacles in this issue: he’s also almost swallowed up by plant tendrils. “The Mechanical Masters of Rann” is scripted by Gardner Fox, pencilled by Infantino and inked by Murphy Anderson (ah, finally).

As you’ve probably noticed, Adam Strange stories tend to have gonzo plots. I *like* goofy stories, but these leave me frustrated: they’re far too far-fetched to make any kind of sense, yet they’re not wacky enough to be properly entertaining. The stories toss around “futuristic” terms like sky-radiation and zeta-beams and altered molecular structures, and provide “scientific” explanations that are supposed to make the plot plausible, except that the plot’s still ridiculous, all the more so after these attempts to shoehorn logic into it. It wouldn’t be so bad if Strange wasn’t over-explaining everything – he’s like your best friend’s pedantic dad, droning on about something while everyone feigns interest, sucking out the joy from topics that would otherwise be fascinating.

The other interesting aspect of Adam Strange is the sexual tension – basically, Adam’s zeta-beam wears off every time he and Alanna share an embrace. (That sends him back to Earth until he catches the next beam and gets teleported back to Rann.) That’s an original way of keeping them apart, I have to admit.

AdamStrangeByeAHe’ll be back soon, he says – as will I, with another Tentacle Tuesday.

~ ds

Tentacle Tuesday: Warren and Its Many Tentacles, Part II

Greetings, tentacle lovers! I’m here with a new batch of Warren-published tentacles – this time, some he-men macho types get tangled up in them, though damsels predominate as usual. Don’t forget to visit part I: Tentacle Tuesday: Warren and Its Many Tentacles.

One thing that can easily be generalized from tentacular covers is that women frequently have a lot more fun on them than their male counterparts. To wit:

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Vampirella no. 39 (January 1975). Cover by Ken Kelly. The gal may not be Vampirella, but damn, she’s enjoying herself. I admit that having tentacle-shaped fingers would be… practical.

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As for poor Vampi, she seems to encounter tentacles wherever she goes.

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Vampirella no. 62 (August 1977), cover by Spanish artistEnrich, whose real name was Enrique Torres-Prat.

The cover story, Starpatch Quark & Mother Blitz (scripted by Bill DuBay and illustrated by Jose Gonzalez), contains some spectacular, spiky, nasty tentacles.

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I tried saying « prasptam… hoodjum… billigam… POOT! », but no tentacled creature materialized. How very disappointing. I’d also like to know what kind of slap makes a « SPAKKT! » noise.
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The non-librarian girl in question is Vampi. Her eyeballs get ripped out by some vengeful queen and get accidentally conjured onto the desk of some random girl with an abusive husband, during which time blind, suffering Vampi is kidnapped by aliens while a handsome youth uses his father’s psychic connection with Vampi’s eyes to watch through them as they are retrieved by a tentacled monster, and… oh, never mind. Go read the story yourself.

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The original cover art of Vampirella no. 105 (May 1982), painted by Enrich. It was printed much darker, so one can barely see tentacles. Fuck that, I say! Let us admire the green creature in its full glory! (And its unfortunate slight family resemblance to Jabba the Hutt…) His gaze seems to be appraising Vampirella – “hm, I wonder if she would be as tasty a snack as she looks?”
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The printed version of said issue.

The cover story sounds like fun… let’s take a peek.

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I’m sorry, but that is not what “Blobs and Behemoths” made me think of. I was expecting something in the class of Cthulhu, not an overweight human walrus with tentacles! Panel from “Horrors of Heartache City”, scripted by Bill DuBay and illustrated by Jose Gonzales (apparently this team specializes in tentacles).

« You’re worried that little Orphee is thinking of making a meal of that luscious girl…? He’s turned down everything from the choicest prime rib to the slimiest of insects, which leads me to believe that he filters nourishment from the very air! »

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So much for scientific theories.

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I think I promised you some men fighting tentacles. Sigh, so be it.

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Eerie no. 66 (June 1975), cover by Manuel Sanjulian.
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Eerie no. 111 (June 1980), cover by Ken Kelly. What’s scarier than an old wizard with a majestic beard whipping in the wind? An old wizard whose head is attached to tentacles, obviously.
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1994 no. 19 (June 1981), cover by Jordi Penalva. I am totally fascinated by the girl’s expression. Whatever the tentacles behind her are doing, they’re doing it right. As for the guy, he looks like a sanctimonious asshole, from his scowl to his hairy legs.

I had to know what the hell is “The Holy Warrior” about. “Godless commie heathens”? Oh, very subtle, 1994. Given the mention of kicking the living crud out of ’em, it’s tempting to assume that this is satire… unless the author has an amputated sense of humour. I couldn’t find any scans of the story online, but someone on a Very Creepy Blog kindly summarized it as:

“Third is “The Holy Warrior!” by Delando Niño (art) and John Ellis Sech & Bill DuBay (story). This story takes place in a future where there are Jesus clones. Our hero, the Holy Warrior, is seeking to rescue one, which is just a child, from communist enemies. He is able to do so, but the two of them are so hungry that he ends up killing the clone and eating him! Quite a bizarre and heretical ending for this story.”

And I thought that Vampi story was written by someone on drugs. Same author, mind you (Bill DuBay) – there’s definitely a pattern… of nonsense, balderdash and malarkey.

By the way, you can read a bunch of Warren publications online – for free! – here.

~ ds

Tentacle Tuesday Masters: Joe Kubert

As Tentacle Tuesday lazily unfurls its slimy appendages yet again, we come face-to-face with one of the comic greats, Joe Kubert. And, as luck would have it, his ability to draw pretty much anything extends to depictions of cephalopods.

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Page from “It Was a Dark and Heavy Night…”, published in Heavy Metal Special Edition Vol. 11, no. 2 – 20 Years (January 1997).

I’m less engrossed with Kubert’s work on prehistoric cavemen, archetypical feral youngsters or troglodyte adventurers (my interests lie more in the direction of Enemy Ace or Unknown Soldier, as well as Kubert’s solo projects like Abraham Stone). Nevertheless, Korak, his father Tarzan, and the unrelated Tor have all encountered tentacles in their eventful careers of dinosaur skirmishes and vine-swinging. (I also have to admit that if anybody could make me inquisitive about this sort of thing, it would be Kubert. I may yet reconsider, especially in the case of Tor, a comic Kubert both drew and plotted.)

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Page from Tor no. 3 (May 1954). Read the whole issue here. The adorable monkey Tor is talking to is Chee Chee, his pet gibbon.
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See Korak wrestle tentacles on this aquatic Joe Kubert cover! Korak (the ape name for “Killer”) was created by Edgar Rice Burroughs for his Tarzan novels. (Korak was the hero of The Son of Tarzan from 1915; in other novels he was but a young boy, incidental to the plot). This is Korak, Son of Tarzan no. 54 (October-November 1973). This issue has Robert Kanigher and Murphy Anderson on the main story.

It’s not only prehistoric men who have to put up with tentacles – Scandinavian royalty has to deal with them, too.

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The Brave and the Bold no. 24 (June-July 1959). The main two stories, “The Trail of the Black Falcon” and “Curse of the Dragon’s Moon”, both scripted by Bob Haney and drawn by Kubert, are frankly silly.

Moving into a slightly different direction….

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Mystery in Space no. 115 (January 1981). In a Kubert illustration, even monsters have soulful, anguished eyes.
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Weird War Tales no. 77 (1979). Do all three dooms involve tentacles, by any chance?
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Kubert’s tribute to Arzach, a comic series by Mœbius. Interesting to see Kubert sort-of imitating someone else’s style – however, the feet, hands and tentacles are obviously his.

~ ds

Tentacle Tuesday: Gold Key’s Octopian Plenitude

Today’s tentacle adventure brings us a bounty of Gold Key covers.

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The Close Shaves of Pauline Peril no. 2 (September 1970). Cover by Jack Manning. I love the Pauline Peril series – it’s such loveable nonsense, with dynamic art and fusillade-style dialogue. However tempting it may be to jump to that conclusion, It’s not a comic-book adaptation of a TV cartoon. Read a whole issue (number four, to be more precise, the last one) at, appropriately, the Ominous Octopus Omnibus blog.
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Hanna-Barbera The Addams Family no. 3 (April 1975). The adorable cover is by Bill Ziegler. Is there anything groovier than a froggy belt-buckle? I think not.
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Looney Tunes no. 11, 1976. Cover artist unknown. The boat has been filled beyond legal capacity, and no-one’s wearing their mandatory Mae West. The Safety Octopus is here to ensure that the offending parties are brought up to standards (or at least given a tentacle slap on the wrist).

And just to offset all the cartoony, cutesy stuff, here’s a cover featuring an epic struggle, a life-or-death situation, a decisive skirmish between Man and Beast. (I’ll let you guess which is which, though.)

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Boris Karloff Tales of Mystery no. 37 (October 1971), cover by George Wilson. Here we have a tentacled creature – “Sea-Beast” for friends – defending a village of innocent people against some sort of flaming monstrosity by shooting water from its tentacles (trunks?) at the flames. Hey, somebody should hire it as a firefighter!

~ ds

Tentacle Tuesday: the Creepy and the Bizarre (NSFW* Edition)

*That’s Not Safe For Work, for those unfamiliar with the acronym. Turn back while you still can!

We all know that tentacles are often used in comics as a substitute for other, err, organs. Tentacle porn is nothing new. Still, occasionally I stumble upon something that’s just outstandingly odd and perhaps even depraved. Would one be able to find stuff online that’s far stranger and more degenerate? Indubitably. Still, within the context of Tentacle Tuesday, I’d like to think that the following offerings are firmly in the realm of “well, that was strange…”

Our first example of WTF is this cover, drawn by good ol’ William Stout.

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Bizarre Sex no. 10 (December 1982, Kitchen Sink Press), cover by William Stout. I imagine the Earthman quivered in horror and became as flaccid as flaccid can be, though who knows what turns people on? The alien creature seems to have its eyes resolutely shut in grim desperation, so perhaps she’s not enjoying it much, either.

Comixjoint explains:

« One of the great series in underground history, Denis Kitchen’s Bizarre Sex was launched in May, 1972. One could discern that this would be a “no-holds-barred” type of publication upon perusing the first issue, as the first two stories were about brother/sister incest and interracial homosexuality. Bizarre Sex became best known for issue #9, which introduced Omaha the Cat Dancer with a story that took up the whole book. After another appearance in Bizarre Sex #10, Omaha moved on to its own successful serial. The great thing about Bizarre Sex is the series matured through the years, evolving from a comic book about atypical sex into more of an in-depth review of sexual relations and the human condition. »

As this is no. 10, the last issue of Bizarre Sex, presumably that “in-depth review of the human condition” part is applicable here. The cover could have fooled me… If anyone out there has read it, do let me know!

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Chester Brown has always been one sick puppy. If by now his work is creepy and boring, back in the earlier days of his career, his stories were often fascinating… for those of us who enjoy a good mindfuck and have a strong stomach, that is. As for me, I never liked his stuff: far too disturbing, in a viscerally-uncomfortable kind of way. A good demonstration of his typical sense of humour is the following 2-pager with a characteristic blend of onanism, body fluids and irony. This instalment of Adventures in Science was published in Yummy Fur no. 4 (1984).

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A little bit of comic relief: a cartoon from “How the Animals Do It” by Larry Feign. Make sure to visit this page for a little video preview of this book: a little animated tale of the barnacle’s super long penis and what s/he does with it, including the brilliant quote « if no resistance is met, in it goes ».

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Okay, I’ll bite. Why did the chicken cross the road? Why did the male octopus lose an arm due to sexual promiscuity?

« Male octopuses have a big problem: female octopuses. Each male wants to mate and pass on his genes to a new generation. The trouble is, the female is often larger and hungrier than he is, so there is a constant risk that, instead of mating, the female will strangle him and eat him. The males have a host of tricks to survive the mating process. Some of them can quite literally mate at arm’s length. Others sneak into a female’s den disguised as another gal, or sacrifice their entire mating arm to the female and then make a hasty retreat. » [source: Mystery of Cannibal Octopus Sex ]

Next time we encounter difficulties with our romantic entanglements, let’s remember not to complain.

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Our last entry is a little more standard from the perspective of shokushu goukan. The blend of sex-and-religion is also nothing new, although some people seem to be labouring under the impression that it still has some sort of shock value in this day and age (My sleazy ex-boss from the framing store, I’m looking at you.) However, I think these scaly tentacle-penises are a reasonably original take on the theme, and I also like the choreographed sisters, who seem to be doing some sort of interpretative dance while a-waiting to be ravaged.

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Page from The Convent of Hell (published in Spanish in 1987, in English in 1998), written by Ricardo Barreiro and illustrated by Ignacio Noé.

You can read the whole thing herevery NSFW, obviously.

~ ds

Tentacle Tuesday: Octopus à la carte (sniff, sniff)

I don’t necessarily like to contemplate this fact of life, but octopus flesh gets eaten a lot (in some countries more than others). However, comic artists are mostly a classy lot: they tend to like cephalopods, so it’s not too often that one runs across a depiction of them as a foodstuff. An octopus slashed in battle is one thing, but disgraced and transformed into a dish? What kind of person would want to illustrate *that*? Perverts, that’s who!

These bold souls who have drawn the forbidden, mentioned the unmentionable, shall surely be punished by the Elder Gods.

Let’s have a cautious peek (don’t forget to leave a sacrifice at the altar of the Octopus God, however).

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Zoot no. 5 (December 1993, Fantagraphics). Cover by Roger Langridge.
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Originally called “Ernie” (the name of its main character), the strip was renamed “Piranha Club” presumably because it’s a much catchier title. No, or few, pirañas are involved, but you are guaranteed to encounter Quacko the Human Duck, his wife the Bearded Lady, Effie (who often cooks octopus, much to the dismay of her husband), Bob the zombie, and a host of other irrelevant and quirky characters.  Who’s responsible for all this mayhem? Bud Grace, the creator of this strip. If you haven’t heard of Piranha Club, slither over here.
Delicious in Dungeon, Vol. 3 Ryoko Kui
Delicious in Dungeon Vol. 3 (November 2017). This manga series by Ryōko Kui involves a few characters tromping around a dungeon, consuming all and any monsters they find within. “Slimes, basilisks, and even dragons… none are safe from the appetites of these dungeon-crawling gourmands!
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Octopus pie, again? Is it as inedible as tuna casserole, the frequent butt of jokes in all sorts of sitcoms? This is Mom’ Homemade Comics no. 1, October 1969, cover (and everything else) by Denis Kitchen. Visit Comixjoint for the riveting tale of how this underground classic came to be published, as well as a review of its three issues.
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Octopus Soup by Mercer Mayer (2011, Two Lions). Technically a book for kids, but I’d highly recommend it for octopus lovers of any age.
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Another peek at Octopus Soup…
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Cthulhu Does Stuff no. 4, by Ronnie Tucker and Maxwell Patterson. Visit their website.

Bon appétit!

~ ds

Tentacle Tuesday: Grabby Denizens of the Airless Void

Aliens inevitably have tentacles. It’s a simple fact of life for any space explorer. Although I’m sure you wouldn’t dream of doubting my words, here are a few exhibits for your pleasure.

We’ll start off with a tentacle bonanza! This is what happens when you cross an octopus with a centipede.

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Spaceman no. 6 (July 1954), cover by always-enjoyable Joe Maneely. “Speed Carter, Spaceman”  only lasted six issues, which is unfortunate – the stories are a lot of fun, with great art and intelligent-but-humorous scripts.

When “plant creatures” (who look remarkably like toothy goldfish) gone berserk deploy their tentacles to strangle you – in space, no less – , it must be Tentacle Tuesday.

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Space Family Robinson Lost in Space no. 30 ( Gold Key Comics, October 1968). Cover by George Wilson, whose paintings are usually quite well executed (and this is no exception). The tentacle story, titled “Attack of the Plant Creatures”, is scripted by Gaylord Dubois and illustrated by Dan Spiegle. Incidentally, Space Family Robinson was an original science-fiction comic by Gold Key, and predates the Lost in Space TV series.

Seriously, who keeps stranding these vicious octopuses in space?

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Space Ace no. 5 (1952, Magazine Enterprises), cover by Dick Ayers. I like these elegant space suits of the 50s, where naught but a small glass bubble and a tiny tank provided all the air one might need, and the costumes were tight enough to show off the guy’s muscles. The tentacle wrapped around the astronaut’s leg looks severed.
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Just watch Solar-Brain nimbly dismantle an expensive piece of machinery with its tentacles. Tsk, tsk. These panels are from “The Living Gun”, a story from Metal Men no. 7 (April-May 1964) written by Robert Kanigher, pencilled by Ross Andru and inked by Mike Esposito.

Since I like pointing things like that out, please note that all the plot points of “The Living Gun” that concern Platinum (the only girl on the team) are fucking inane. She gets jealous when Doc Magnus is wooed by a beautiful model; participates in a beauty pageant while everybody else continues with their scientific research; attacks her team-mates when she’s disqualified from the pageant for not being human; quits the Metal Men in a huff and barely makes it into the epic battle pitting Magnus and his Metal Men against the murderous, power-grabbing Solar Brain. Girls will be girls… at least when a certain writer with the initials R.K. is around.

~ ds

Tentacle Tuesday: Seafaring octopuses and the men they have shamelessly devoured

Ahoy, landlubbers! Today’s Tentacle Tuesday goes back to the good ol’ days of nautical journeys, ships crushed by mighty tentacles, and brave men who end their lives as snacks for the mighty cephalopod.

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Printed in Pilote Hors série aventure no 17 bis (October 1975, Dargaud). The story is titled L’Antoinette Pécuchet, from the cycle Les histoires de Pemberton, written and illustrated by Sirius (real name Max Mayeu, Belgian cartoonist).
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After most of the crew is swallowed up by the starving octopus, our narrator gets the bright idea to stick some dynamite into the pocket of the next sacrificial lamb and lights it just before he’s eaten. “The octopus savoured Nolasque with a healthy appetite. Suddenly, she hiccuped loudly, like a burping baby… Pale, she threw us a glance of bitter reproach, and dove into the water, never to be seen again.”

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Speaking of the Sargasso Sea (frequently depicted in fiction as a perilous area where ships go to die, mired in Sargassum seaweed, unable to escape), here’s another vignette about that mysterious spot. Incidentally, it is the only sea that doesn’t have land boundaries, enclosed by the Gulf Stream on the west side, the Canary Current on the east, the North Atlantic Current on the North and the North Atlantic Equatorial Current on the South. No wonder people thought it was full of mystery and danger! Even I, more or less immune to the siren’s call of wild maritime adventure, feel a little thrill at its mention. *Ahem* back to comics.

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Boris Karloff Tales of Mystery no. 29 (March 1970), painted cover by George Wilson.

As is often the case, the original painting has a lot more detail than the printed version:

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The original painting for “Creature of the Sargasso Sea” by George Wilson.

What does this peculiar, one-eyed beast look like closer up, one might ask? Something like this:

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A page from Creature of the Sargasso Sea, pencils by John Celardo and inks by Sal Trapani. Furry octopuses are my favourite!

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The sea can bring many (other) strange things, including a sword-wielding octopus… who should have stayed in the water, where he had the home advantage, instead of attempting to wage battle on sort-of land.

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A couple of pages from Fafhrd and The Gray Mouser, a comic adaptation of Fritz Leiber’s cycle of sword-and-sorcery stories. Adaptation by Howard Chaykin, art by Mike Mignola, who’s inked by Al Williamson. This 4-issue series was anthologized in 2007 by Dark Horse; these pages were scanned from Book 4, published in 1992 by Epic Comics.
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One can only hope to be as stylish while fighting a many-tentacled monster.

~ ds

Tentacle Tuesday: Octopuses join the ranks of honest workers

Heigh-ho, it’s off to work we go. Octopuses have to work, too (at least occasionally). (And while they work, they have to restrain from grabbing unwilling passersby, as they don’t want to get slapped with a sexual assault lawsuit. I present to you a list of some of the professions that cephalopods excel at… no hanky-panky involved.

They’re musicians!

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Budding guitar players rejoice: octopuses sometimes have trouble getting all the notes right, too. This was scanned from “Mitch O’Connell: the World’s Best Artist” (Last Gasp, 2014) by, obviously, Mitch O’Connell, who does not mince words when referring to his mad talent. Check out our other post about Dr. Mitch here.

Cooks!

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This poor overworked fella is drawn by Paul Mavrides (he of the Furry Freak Brothers and Church of the SubGenius fame!) An excerpt from « Skull Farmer », Tundra Sketchbook Series #10 (1991, Tundra).

Entertainers!

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Octopus by Anatol Kovarsky (born 1919 in Moscow to Jewish parents, passed away in 2016), who had a long career (nearly 300 drawings and almost 50 covers) in The New Yorker’s pages.

Athletes!

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From the Russian magazine Krokodil, 1970s.

~ ds

Tentacle Tuesday: Warren and Its Many Tentacles

Welcome to Tentacle Tuesday! Today’s edition features beautifully painted covers from series published by Warren, and oh boy oh boy, are there are a lot of tentacles to be found there! To borrow a title from the first cover we’ll be ogling today, “THE SLIMY, CRAWLY SLITHERING GROPIES DO TERRIBLE THINGS TO PRETTY LITTLE GIRLS!” It’s a tad lacking in subtlety, but summarizes the state of things quite nicely.

On with the show…

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1994 no. 12 (April 1980). The cover was painted by Sanjulián (his real name is Manuel Pérez Clemente), a Spanish painter who started working for Warren publishing in 1970. The girl’s demure pose coupled with her terrified eyes is quite striking.
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1994 no. 20 (August 1981). Cover by Nestor Redondo, an exceptional Filipino artist.

I wouldn’t expect cephalopods to care for patriarchal, machismo standards of female purity, but apparently Lecherous Groatie (great nickname) wants his maidens virginous (which isn’t even a word, you guys). “Little Beaver!”, you say? Way to go in being offensive to both tentacled creatures *and* Indians. This issue also contains the story “The Russians Are Coming… All Over America!”, a title which I, for one, find hilarious.

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1994 no. 25 (June 1982). Cover by Lloyd Garrison. Aaah, a rare silent cover. It’s clear enough: Ukranian Santa will surely rescue the maiden, if he doesn’t get too distracted by her ass or Chinese-takeout container-inspired undergarment.

Leaving 1994 behind (although technically we’re going back in time), and moving on to Eerie, we get to tentacles that look like worms coming out of a lumpy, squishy brain – the joy of any good anatomical pathologist.

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Eerie no. 76 (August 1976). The cover the aforementioned Sanjulián, who has quite the talent for painting extremely realistic textures, as demonstrated by this rather unsettling cover.

One understands the guy’s desperate attempts to get free, but why is the woman so placid, serenely exposing herself to the creature’s grasp? I guess Tentacle Tuesday doesn’t have the same effect on everyone. Interestingly, Sanjulián seems to have tweaked his art  for the cover – here’s his original painting, in which the girl’s face is clearly visible.

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Let’s visit good old Vampi and see what sort of cephalopod encounters she’s had.

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Vampirella no. 101 (December 1981); art by Noly Panaligan (who, by the way, is another Filipino artist).

The tentacled creature in question is the “star-beast” advertised on the cover – an alien (suspiciously similar to an octopus) who, as usual, tries to take over the earth by breeding (which for some reason involves a lot of nude & nubile college students as sacrifices) and is killed when Vampirella crashes a car into it. Starting on an epic, inter-planetary scale and ending it all with a banal road accident is a bit of an anti-climax.

Is this Vampirella’s last encounter with tentacles, you ask? Don’t be silly – of course not. As the Russians say, « and yet again the little hare will go out for a walk. »

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Vampirella no. 95 (April 1981), cover by Ken Kelly. “O Mr. Walrus-with-tentacles, please don’t hurt little old me!”

More? Well, okay, one last cover.

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Creepy no. 67 (December 1974), cover by Ken Kelly (not one of his better efforts, to be honest). We’ll return to sweet ol’ Bowser on another occasion.

Could I continue? Yes, absolutely… so expect Tentacle Tuesday: Warren part 2 at some point.

~ ds