« I was told a couple of bishops had given up Punch when I started drawing for them. » — Beryl Antonia Botterill Yeoman
Ever since I featured my very favourite of her cartoons, way back in October of 2019 — how different the world was then! — I’d intended to return to the topic of Australian-English cartoonist Beryl Antonia Botterill Yeoman (1907-1970) for a more sustained and substantial look… and now I have.
The Anton nom de plume has a rather storied history: at first — their professional collaboration began in 1937 — Beryl and her brother Harold were a two-headed cartoonist who signed ‘Anton’. In 1949, Harold dropped out of the partnership, owing to the rigorous demands of running an advertising agency, and thereafter Antonia and Anton were one and the same, a left-handed (not by birth or choice, having lost two fingers on her right in her teens), female cartoonist in a decidedly male-dominated field.
All of today’s selections first saw print prior to 1952 in the august pages of Punch (1841-2002); it’s entirely possible that Harold had a hand in some of them.
Should you find yourself down Somerset way, drop by The Crown at Wells, a 15th century inn (featured in 2007 in Edgar Wright’s Hot Fuzz!) that houses Anton’s Bistrot, whose venerable walls are adorned with some choice Anton original art.
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