« I have learned to live each day as it comes, and not to borrow trouble by dreading tomorrow. It is the dark menace of the future that makes cowards of us. » — Dorothy Dix
Menace was a short-lived (11 issues, 1953-54, Atlas) horror anthology title that’s mostly remembered*, if at all, for its one-shot introduction of a zombi by the name of Simon Garth. Because Atlas never really played the gore card, its successor Marvel was able to mine most of its Pre-code material as cheap filler in their 1970s bid to flood the market. Don’t get me wrong, though; these titles were still a lot of primitive fun, and in most cases, I’d pick an issue of Weird Wonder Tales, Where Monsters Dwell or Uncanny Tales From the Grave over the latest Fantastic Four or Spider-Man.
The writing was by no means daring or even coherent, but the artwork was frequently rather fine, with none quite finer than Bill Everett‘s, particularly his covers, which elegantly straddled the line between fearsome and goofy.
I’d be tempted to say that Everett (1917-1973) was at his peak when he created these, but the bittersweet fact of it is that Everett was still at the height of his artistic powers, even as he was slowly dying in the early 1970s.
This particular hot streak ends not because Everett turned in a lesser job, but because other hands provided covers for the rest of the run. Talented hands, at that (Carl Burgos, Gene Colan, Russ Heath, Harry Anderson), but none of the other Menace covers are a patch on Everett’s mighty half-dozen.
That strange compulsion that’s creeping over you, that ungodly craving for more Bill Everett, cannot quite be slaked without incurring a terrible cost, be it in human lives, the forfeiting of your immortal soul, or both. But do check out my co-admin ds’ earlier tribute to Mr. Everett’s nightmares, Bill Everett’s Restless Nights of Dread, it might tide you over until dawn.
*these babies are rare, in any condition.
**Here’s an example:
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