Like Hawkeye Pierce, Bob Oksner (1916-2007) was a gentleman who appreciated a cute overbite.
Here’s a seasonal Mary Marvel solo tale that originally saw print in the thirteenth issue of DC’s Shazam!, back in 1974. It was scripted by the erudite Edward Nelson Bridwell (1931-1987).
I can’t help but believe that Mr. Oksner might have modeled his Mary Marvel after model-actress and air harpsichordist Susan Dey. The flaw in that theory is that his girls had always looked like her — so it’s more of a case of Susan looking like an Oksner girl than the other way around.
« I fell in love with Laurie on the Partridge Family Yeah I stay up watching 70’s TV And I get off on 70’s TV » — John Easdale / Dramarama
This is Shazam! no. 13 (Jul.-Aug. 1974, DC). Cover art by Mr. Oksner.
« A slithering tentacle now seizes Billy, and a shuddery voice pours into his ears! »
Previously, we’ve talked about Captain Marvel (the original, the best, the… dare I say, unique!) in a post about his co-creator C.C. Beck. Today, I’ll concentrate on the World’s Mightiest Mortal’s exploits with all manner of tentacled monsters.
All C.C. Beck quotes in this post come from An Interview with C.C. Beck conducted in the late 1980s (shortly before Beck’s death in 1989) by the talented Tom Heintjes of Hogan’s Alley.
« When I looked at the first Captain Marvel story, I knew at once that here was a story worth illustrating. It had a beginning, a carefully constructed development of plot and characters leading to a climax and an ending, and nothing else. There was no pointless flying around and showing off, no padding, no “Look, Ma, I’m a superhero!” Out of 72 panels, Captain Marvel appeared in 18, or one-fourth. »
« March, ye scalliwag, or I’ll curdle yer giblets! » Follow Captain Marvel’s fine example – don’t forget to hug a tree, folks! Although it will be better if you can find one without spines and prehensile appendages. This is Whiz Comics no. 5 (May 1940), cover by C. C. Beck. Captain Marvel may “crash through”, but the cover story, « Beautia for President », contains no tentacles whatsoever… just a hypnotically beautiful woman, that some may settle for (not me). You may note that the cover has « number 4 » written on it, but 5 was the number reported to the Copyright Office, so go figure.
Whiz Comics no. 60 (November 1944), cover by C. C. Beck. Paper tentacles? I think they count! The main story is adorably goofy, in the best Otto Binder tradition… but unfortunately comicbookplus.com has only a seriously blurry scan of this issue (read it here, but it may cause headaches).
Whiz Comics no. 146 (June 1952), cover by Pete Costanza. Speaking of the latter and quoting (again) from C.C. Beck, « Pete Costanza was the first artist hired to assist me when Fawcett’s comic department started to expand in the latter part of 1940. We later went into partnership, and Pete was in charge of our studio in Englewood, New Jersey, while I operated out of our New York City office. Pete was an established illustrator at an early age, and I learned as much from him about story illustration as he learned from me about cartooning. »
The green, proudly toupée-d fellow appears in the opening panel of Terror Stalks the World’s Fair, but as it turns out, he has nothing to do with the rest of the story, really.
Terror Stalks the World’s Fair is scripted by Otto Binder and drawn by Kurt Schaffenberger.
« A sinister mystery hangs over the city! Each night, screams are heard… human screams that gurgle away into deathly silence! » Whiz Comics no. 155 (June 1953), the final issue of Whiz Comics, cover by C.C. Beck.
The cover story features an actual kraken with evil, myopic eyes! I rejoiced.
Page from Captain Marvel Battles the Legend Horror, scripted by Otto Binder and drawn by Kurt Schaffenberger.
In an interesting plot twist, it is revealed that gigantic vampire bats and the Kraken (who has the gift of speech, sounding like somebody’s rather eccentric uncle) have struck up a partnership.
Poor Kraken must get cold, consuming all those frozen bodies…
While we’re at it, Captain Marvel Battles the Legend Horror is a perfect demonstration of a point C.C. Beck made well:
« Billy Batson was the real hero of all the Captain Marvel stories, from the first issue until the last. Without Bill Batson, Captain Marvel would have been merely another overdrawn, one-dimensional figure in a ridiculous costume, running around beating up crooks and performing meaningless feats of strength like all the other heroic figures of the time who were, with almost no exceptions, cheap imitations of Superman. In fact, I have always felt that flying figures in picture form are silly and unbelievable, and I would much sooner have never drawn them, but the publisher insisted on them. Most of the time Captain Marvel’s ability to fly had little or nothing to do with the plots of the stories in which he appeared. Billy Batson started every story and ended every story. In between, Captain Marvel appeared when he was needed, disappeared when he was not needed. The stories were about Billy Batson, not about the cavortings of a ridiculous superhero for whom the writers had to concoct new and more impossible demonstrations of his powers for each issue. »
A terrible end for any creature, even a malevolent one.
And our last encounter with tentacles for today…
Captain Marvel Adventures no. 65 (September 1946), cover by C. C. Beck.
The Invasion From Outer Space, plotted by Otto Binder and drawn by C. C. Beck, offers us lots of cute little alien guys:
As usual, they wanna take over the world, but they’re cute, anyway. There’s that toupée again, this time (alien) flesh-coloured! That’s a mighty suggestive tentacle wiggle, Zelog-Zunn Sir.
Beware of the man who only dreams logical dreams! That says a lot about Luthor’s personality, actually.
This legendary encounter between Mr. Mind and Luthor comes to us from “Captain Marvel Meets… Lex Luthor?!”, written by Dennis O’Neil, pencilled by Bob Oksner and inked by Tex Blaisdell. It’s part of a 100-page issue (Shazam! no. 15, November-December 1974), which I think was my first exposure to The Big Red Cheese… and I was instantly hooked, even though I’m not generally fond of cross-overs (or, generally speaking, super-heroes). These issues may not cost 60 cents anymore, but they’re still totally worth tracking down!
Mr. Mind is usually considered to be a worm, but frankly, he looks more like a caterpillar (which is more dignified, anyway). In his quest for world dominion, he hatched many a plan to topple world order, some of which I will enumerate for readers’ enjoyment so you can admire the impressive span of Mr. Mind’s machinations:
To crush North America beneath a giant glacier using a giant gyroscope that makes the Earth shift on its axis.
To make Captain Marvel his mental slave using Billy Batson.
To topple all the buildings in Captain Marvel’s home city by controlling an army of worms and termites.
To trap the United States in eternal darkness by stopping the Earth’s rotation.
To use the ten-mile-long gun “Great Big Bertha” to literally blow holes in America and Russia.
To invade Scotland from an artificial floating island of ice.
To cause a giant volcano to erupt in the middle of Britain.
So if you encounter an angry-looking (but myopic) caterpillar on your travels, please mind what you say.