Tentacle Tuesday: Grabbery Through the Ages

It occurs to me that I haven’t focused on the good old mademoiselle-embraced-by-tentacles cliché in a while. If today has a further theme, it’s of women (both human and alien) being grabbed by the midriff. Polka-dotted tentacles in a swamp and furry tentacles on Venus, whether they’re latching on to a humanoid woman with four breasts or a blue-skinned Talokian, all basically behave the same way.

As usual, this is a chronological progression that takes us from early Golden Age days all the way to mid flamboyant 80s.

The Robot Masters of Venus, illustrated by Max Plaisted (of Spicy Mystery fame!), was published in Exciting Comics v. 1 no. 3 (June 1940, Pines).
The Vengeance of the Space Monster!, pencilled by Ken Bald and inked by Syd Shores (both names are, however, guesses), was published in Marvel Mystery Comics no. 90 (February 1949, Atlas).

I agree that having one’s ribcage crushed does not help with breathing, but still, I am not sure why Shadow Lass is choking on the panel on the right when the vege-demon has her by the midriff.

War of the Wraith-Mates!, scripted by Cary Bates, pencilled by George Tuska and inked by Vince Colletta, was published in Superboy no. 183 (May 1972, DC).

For a little variety, I’m also including the following warrior vixen as a pleasant exception to the rule – she is not only not being grabbed, but also has an octopus for an obedient pet.

Girl on Octopus by Brian Lewis, painted sometime in the mid 1970s.

Our next stop is a proposed illustration for the 1984 movie The Warrior and the Sorceress, painted by Bob Larkin. The movie in question (which I have never seen) is apparently “noted chiefly for containing extensive nudity and violence and for being one of the more extreme examples of the sword-and-sorcery genre. It is also considered by some to be a cult classic.

The sorceress has 4 breasts – a logistical nightmare when selecting a bikini, no doubt.

As… questionable… as this is, the illustration that was chosen in the end is in a whole other class of cheesiness. The sorceress has also died her hair blonde, presumably because she wants to have (even more) fun! We also lost the cephalopod, unfortunately, but the maxim “one can’t have everything” comes to mind – and David Carradine in a pearly loincloth is plenty.

Art by Joanne Daley, who at least makes some sort of attempt at designing a functional four-breast-bra.

After *that*, the following cover looks quite humdrum by comparison. It’s difficult to imagine how Red Sonja will extricate herself from this situation…

Red Sonja no. 5 (January 1985, Marvel). The cover is by Pat Broderick.

Incidentally, there are tons of Red Sonja cover with tentacles, mostly of recent vintage, and most of them are ugly as sin. This one is decent:

The cover art for Red Sonja no. 21 (April 2007, Dynamite). This is a variant cover by Roberto Castro.

✭ ds

Tentacle Tuesday: Earth in Dire Peril!

One of the oft-recurring themes of tentacles-in-comics-land is one of aggressive invasion. No, I don’t mean body cavity invasions, you creepos! I mean the large-scale kind: cephalopodian aliens who insidiously infiltrate human ranks, hypnotize or control people’s minds with all sorts of high-tech hanky panky, or just plain deploy their far-out weapons and open martial festivities without as much as a how-do-you-do. Their goal is, naturally, full dominion and control of planet Earth. Sometimes it’s because our planet has something they want (water, minerals, or just plain real estate), occasionally they want to feed on us… or they just got out on the wrong side of the bed and are cranky and territorial.

Let’s see a few case scenarios on this installment of Tentacle Tuesday!

Our first story doesn’t explain why the aliens want to attack the planet or capture humans, but their nefarious scheme threatens life as we know it! Jet Black and Jak Tal, patrolmen of the 21st century, encounter some space-dwelling aliens who are up no good at all. Though they’re cute as can be, it can’t be too practical to have one’s tongue hanging out all the time… The Men from Deep Space, illustrated by Fred Guardineer, was published in Manhunt no. 6 (March 1948).

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In example number two, the tentacled Organus is after humans because he has the munchies. Well, I suppose that’s as good a reason as any to propel your tongue towards somebody else’s face in the middle of a conversation. The Soul-Thief from the Stars, scripted by Paul Levitz, pencilled by Pat Broderick and inked by Bruce Patterson, was published in The Legion of Super-Heroes no. 284 (February 1982).

LegionofSuperHeroes284- The Soul-Thief from the Stars

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Get a room, you two.

Let’s move on to the next instance of grabby critters wanting supremacy over humans, shall we?

One long-winded, epic story of tentacled ones began in 1993, with Lost in Space: Voyage to the Bottom of the Soul. The story has everything that makes one of those invasion yarns entertaining – cruel cephalopod captors, barbaric vivisection experiments, computer codes assigned to every prisoner for better monitoring…. The bulk of this happens in the pages of Lost in Space: Voyage to the Bottom of the Soul no. 13 (August 1993) and Lost in Space: Voyage to the Bottom of the Soul no. 14 (September 1993), scripted by Bill Mumy (the original Will Robinson himself) and illustrated by by Michal Dutkiewicz.

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Bradford, is that you?!

Oh yeah, I also mentioned insidious infiltration, a sly, Machiavellian approach to alien invasion. The Seeds of Jupiter, written and drawn by Al Feldstein and published in Weird Science no. 8 (July-August 1951), fits *that* particular bill.

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By the way, apparently the following scene inspired the “alien bursting out of some poor sod’s chest” sequence in the 1979 movie Alien.

AlFeldstein-SeedsofJupiter

What? You don’t believe that it’s truly an invasion? You say the seeds ended up on earth by accident? Well, listen to the man with funny hair*. He does not lie.

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~ ds

*obviously a hairpiece.