« Flattery is like chewing gum. Enjoy it but don’t swallow it. » — Hank Ketcham
Going way back: When I was a wee lad (still in the single digits), my mother would accompany me to our area’s oldest and finest bookstore (Chicoutimi’s long-gone Librairie régionale). At the time, I had been purchasing bound collections of Belgian bédé publisher’s Spirou, the earlier the better. Even at that tender age, I held the conviction that things had already peaked.
A friendly employee ushered us into the restricted area of the bookstore’s top floor, a vast warehouse I never got a tour of… but it was immense! I was led to an aisle where, high above, dozens of older Spirou collections were kept, dating all the way back to 1962. I can afford to be specific, because I bought the oldest issue they had on hand (Album Spirou no. 84). At ten dollars a pop, they were reasonably-priced, but still costly for a child with a 1970s-scale allowance. For my parents, a reliable source of ideal birthday and Christmas gifts, however!
It was in their pages (no. 90, see below!) that, along with the established Spirou magazine series (Spirou et Fantasio, Boule et Bill, Buck Danny, Benoît Brisefer, Tif et Tondu, Gil Jourdan…), I encountered scads of unfamiliar entries. Of these, an early album caught mid-tale one that truly stuck with me through decades and therefore is the object of today’s post.
I’d be squandering time and space to retrace Belgian master Willy ‘Will’ Maltaite‘s biography, as Lambiek covers the topic in great detail and with the requisite visual profusion.
In short, though, here’s what’s relevant in this case: from 1949 to 1987 (with a pause between ’59 and ’63), Will illustrated the adventures of Tif et Tondu, characters owned by Éditions Dupuis, its publisher. Still, he longed to draw characters of his own, which wasn’t an idle whim, given that most of his colleagues and collaborators did just that, enjoying more latitude and far greater financial rewards. In 1962, he got the chance to try his hand at an original series, Éric et Artimon, conceived with versatile scripter-cartoonist Raymond Antoine, alias Vicq. And the result was outstandingly charming, light-hearted and hilarious.
A mere two long adventures (44 pages each) were produced (Le tyran en acier chromé, 1962, and Toute la gomme, 1963, plus a six-pager, Et mine de rien, in 1967), and Dupuis never bothered to collect or reprint them. Instead, well down the pike, two separate, smaller publishers licensed the rights and issued small black and white runs of, respectively, Toute la gomme (Espace Édition, 1976) and Le tyran… (Magic Strip, 1983).
I’ll be spotlighting Will’s other creator-owned series, Isabelle, at some point during this year’s Hallowe’en Countdown!
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