« Beware, bwana — beware its tentacles! »
Cue in the taut, frantic jungle drums! Picture this: through a thick tangle of brush and tropical vegetation, prances a fair maiden who is quite unaffected by spiky plants or venomous insects. She’s the staunch defender of jungle animals, friend to jaguar or hippo (or whatever other animal the artist’s imagination conjures, even if it’s entirely inappropriate to a jungle… but who cares about zoological accuracy?) One creature this wild child is definitely not a friend to, however, is the octopus: anything with tentacles gets stabbed and killed, as expediently as possible. That’s little cause for concern, however – the real octopus, who lives only in oceans, has little use for a jungle… so whatever’s getting killed must be an impostor or a mutant.
I am amused by jungle comics, which perhaps require an even more dramatic suspension of disbelief than many an equally action-oriented genre. The female protagonists, usually clad in some sort of leopard/jaguar skin (which makes one wonder why big felines even want to hang out with someone wearing their relatives’ pelt), are usually portrayed as guardians of the wilderness… but some of them kill an awful lot of animals for supposed protectors of the feral kingdom. The blonde Sheena (first female comic book character with her own series), equally blonde Lorna the Jungle Girl (Atlas-published, a rival to Fiction House’s Sheena), Avon’s Taanda – White Princess of the Jungle, Camilla – Wild Girl of the Congo (a case of Fiction House knocking off their own Sheena)… the list definitely goes on. That’s quite a few jungle queens bouncing around, dealing with hostile tribesmen getting uppity, lethal white hunters up to no good and would-be Romeos perpetually being held hostage. Sometimes they even have cat fights and overthrow one another. Very amusing indeed. Pepper the dialogue with lots of bwanas, toss in an epic rescue of hapless natives, and you’re all set.
To be fair, however, some Golden Age jungle comics boast fetching art and compelling stories in which natives are their own agents and her Royal Highness gets to show off her wits (and her gams) to best advantage. It’s hard to dislike stories in which a strong, clever woman gets to save the day.
Without further ado, I present Jungle Queen vs Octopus!
First up, there’s Sheena, who has struggled with quite a few tentacles in her day:




Time for other queens to borrow Sheena’s spotlight:

This Camilla story was scripted by Victor Ibsen and drawn by Ralph Mayo, and was published in Jungle Comics no. 144 (1951, Fiction House):

We’ve had a lot of blondes so far, how about a redhead?

The cover story, «Fangs of the Swamp Beast»:
Back to our regularly scheduled blonde heroine! This is «The Devil’s Lagoon», scripted by Don Rico and drawn by Werner Roth, published in Lorna the Jungle Queen no. 4 (December 1953, Atlas):


For a chuckle, read Stupid Comics‘ critique of Devil’s Lagoon here. Moving on, I have no wish to be unfair to brunettes, especially given that I generally prefer them:

Here’s a rather amusing explanation for Rulah’s raison d’être from Toonopedia: «One day, while piloting a small plane across Darkest Africa, she crash-landed where civilization had scarcely been heard of. Her clothes were damaged to the point of leaving her butt naked (“like Eve in the Garden,” she mused), modesty preserved only by shadows and strategically-placed vegetation — yet, her skin wasn’t noticeably scratched or abraded. Fortunately, her plane had whacked a giraffe on the way down, so she skinned it and skillfully fashioned a fetching bikini from the raw, uncured pelt. Her uncovered parts were no more bothered by thorns, rough bark, poison ivy and the like, than were her bare feet. Next, she saved a tribe from the local tyrant, a white jungle queen much like herself, and was proclaimed its ruler — provided she could prove herself by killing a starving leopard with nothing but a dagger, which she did.»

Phew, that tromp through the jungle wore me out! Until next Tentacle Tuesday…
~ ds
Weber Roth is my favorite there. Really nice art. Later he did X-men and that was not as nice.
Does anyone know what the story where Crumb remember reading Sheena’s comics and beingfascinated by her big legs ?
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Hi Eric– Thanks for chiming in! You’re right, Werner Roth’s art on Lorna was really solid. It helps that he got to ink himself… and be himself. The X-Men situation was more of an assembly-line setup, and nobody looked good under Dick Ayers inks, even Kirby. Still, he got it even worse at DC on Lois Lane and romance stories, generally saddled with Vince Colletta “finishes”. As for the Crumb/Sheena story, who could forget, after seeing the movie? 😉
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