Rik Cursat, Yours in Absurdity

« Doubt is not a pleasant condition, but certainty is absurd. » — François-Marie Arouet

Going back to 1975: for a few years, I’d been buying Vaillant’s Pif poche (and sometimes its companion titles, Pifou, Arthur, Placid et Muzo, Totoche, and Gai-Luron… poche) as well. However, since the 1973 putsch by the raging primitives* and sundry bean counters, the publisher’s output had largely gone to seed.

I was still picking up, when faced with a dismal crop at the newsstand, the occasional ‘poche’, mostly for the games and puzzles, which comprised half of the editorial content. I was intrigued by an oddly-named stylist, one ‘Rik Cursat’ (unusual name for a Frenchman, I thought… still, nice of him to sign his work!), whose assured line and friendly absurdity had caught my eye.

A game page from Placid et Muzo Poche no. 80 (Aug. 1975, Éditions de Vaillant). Sometimes he used his initials, sometimes he signed in full. « Using all letters above the drawing, find the names of two fruits. » The answers: PÊCHE and CITRON.
This one appeared in Pifou Poche no. 63 (Sept. 1975, Éditions de Vaillant). « Using all the letters above the drawing, put together the names of two animals. » The answers: CANE and CHIEN.

It was only decades later that I thought to dig a little deeper. To my delight, it turns out that Cursat had a long and prolific, award-festooned career. Given his international success, it’s a bit of a mystery why he would have slummed it in the (presumably) low-paying back pages of frankly disposable kids’ publications. My guess is that his output was continuous and downright profligate, but he was reluctant to let a good drawing go to waste.

Henri ‘Rik’ Cursat** (1928-2006) was born and died in France’s third-largest city, Lyon. Deeply attached to his hometown, he reportedly produced over the course of his career some 20,000 drawings for its various daily newspapers, especially Le Progrès de Lyon, in whose employ he remained for some thirty-two years.

And since his body of work was so gargantuan and diverse, I’ll keep my focus narrow, borrowing from Absurdement vôtre, a 1977 selection of his cartoons published in Éclats de rire, a gags ‘n’ gals rag not unlike the American ‘Humorama‘ digests. He was, in fact, Éclats’ editor-in-chief for nearly a decade. Yet somehow his own cartoons are anything but crass or lowbrow.

Cursat had some pet recurring themes. One was literal gallows humour.

« He’s a repeat offender! »
« It’s the downstairs neighbour; he claims that our fish is bothering him! »
« Garçon, I don’t have a knife! »
« Watch out for his left hook! ». Hooks were another of Cursat’s pet motifs.

Another frequent theme was the mugger lying in wait just around the corner. Here’s a trio of variations:

« Are you the architect? »
« I keep telling you: this is number six! ». Another inspired riff on the same basic idea.
« Garçon, there isn’t a single fly in my soup! »
Impishly looking at you, plotting a gag. The artist in the late 1970s.

-RG

*a jibe cheerfully and gratefully borrowed from Mel Brooks.

**What do you know? Another great cartoonist left out of Lambiek’s Comiclopedia.