Holiday Havoc With Angel and the Ape!

« A merry Christmas to all my friends except two. » — W. C. Fields

I was in the middle of writing a post on another topic, getting bogged down in its complexities, and then it dawned on me that Christmas was fast approaching, and I’d better switch gears pronto.

Thankfully, I had something in mind: an Angel and the Ape tale initially produced in the late 1960s but orphaned with the book’s cancellation. It was half-heartedly released from limbo –shall we say buried? — in one of those awkward tabloid format volumes, Limited Collectors’ Edition C-34: Christmas With the Super-Heroes (Feb.-Mar. 1975, DC) and not even advertised on the front or back cover… which is why it took me decades to learn of its existence.

On average, Angel and the Ape was only marginally funnier than the rest of DC’s humour books (save of course for Shelly Mayer’s consistently hilarious Sugar and Spike), but still leagues ahead of Marvel’s painful Not Brand Ecch et al. A&A was, imho, at its peak when E. Nelson Bridwell wrote it, lobbing some choice barbs at the esteemed competition.

To briefly illustrate my point, here’s a relevant panel from Angel and the Ape no. 3 (Mar. 1969, DC).

Script by Bridwell, pencils by Oksner, inks by Wood. The redhead in the green cape and star-spangled tights is Stan Bragg, editor-in-chef at Brainpix Comics, a clever amalgam of the Smilin’ One and his Rascally subordinate. “When you write good stories and do good artwork, don’t I sign it?

-RG

Jonah Hex’s Bumpy Friday the Thirteenth

« Whut in the ding-dong? »

Jonah Hex originators John Albano (1922-2005) and Tony DeZuniga (1941-2012) take the piss out of their boy in a little tale that was, according to Paul Levitz, intended for a (self) parody title provisionally titled Zany (having cycled through the tentative monikers Black Humor and Weird Humor), and that never saw the light of day… This feature was the only one completed for the abortive endeavour, and it saw print in the Plop!-themed issue of The Amazing World of DC Comics (October, 1976), its thirteenth, of course. Incidentally, Plop!’s own cancellation was announced in that very issue of AWODCC. Bummer.

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Why, yes… now that you mention it, an ice-cold root beer *would* be nice.

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« Lying out in the ‘dessert‘ », Jonah? That was either a root-beer float mirage or a careless letterer’s oversight.

I would be earning myself a sound flogging if I didn’t share Sergio Aragonés‘ adroitly-done cover, so here it is.

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-RG

Hallowe’en Countdown, Day 18

« Sorry fella! But yuh fergot tuh git yore ticket punched! »

In the early 1970s, despite the western genre’s waning prospects in comics, DC found itself with a surprise hit in John Albano and artist Tony DeZuniga‘s antihero Jonah Hex, thanks to a healthy infusion of grit and spaghetti sauce. The battle-scarred Civil War veteran first reared his memorably homely puss in All-Star Western no. 10 (Feb.–Mar. 1972), which soon changed its title to Weird Western Tales with issue 12 to better accommodate its new star.

WWT’s reliably great covers probably didn’t hurt sales. Most of them were the work of Argentine Luis Dominguez, in tandem with the all-star design team of publisher Carmine Infantino, art director Nick Cardy and production manager / colourist Jack Adler. These covers all possess that elusive allure of « Mysterioso », as Infantino termed it.

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This is Weird Western no. 25 (Nov.-Dec. 1974), featuring Showdown with the Dangling Man. Script by Michael Fleisher, art by Noly Panaligan.

– RG