Month: June 2025

Twilight of the Musical Heroes

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« Sunny down snuff » — Van Dyke Parks

While I’m painfully aware that such things are inevitable, the past couple of weeks have been pretty brutal to the ranks of my musical heroes. First went Sylvester ‘Sly Stone’ Stewart; then Brian Douglas Wilson; then Lugee Alfredo Giovanni Sacco, aka Lou Christie, and then Bobby Sherman*… all born in 1943!

It would require quite a stretch to write more about Sly and Lou, but I’ve already devoted a piece to Mr. Sherman (Let’s Hear It for Bobby Sherman!), who enjoyed his own comics series in the early 1970s.

Which leaves us Brian. I’ve been a diehard fan long enough to remember that his name and accomplishments didn’t get separated from his band’s — especially given the embarrassment that the Mike Love-led Beach Boys touring cavalcade had become — until the early 90s. And I also recall that Pet Sounds was, for decades, just an expensive but critically acclaimed commercial failure that didn’t get certified ‘Platinum’ until the year 2000, a third of a century after its release. For similar tales of vindication through gradual changes in fortunes, see The Kinks are The Village Green Preservation Society and The Zombies’ Odessey and Oracle.

So I turn (for the second time!) to Byron Preiss‘ marvellously illustrated authorized biography of the Beach Boys, from 1978. In addition to a highly entertaining and well-documented text, Preiss, a man with an astonishingly well-filled Rolodex, had the bright idea of tapping various illustrators to contribute their visual cover version of a favourite BB song.

I’ve written about Mr. Stout already, in The Prodigious William Stout, which ought to give you an idea of how I feel about his work. Lyrics by BW collaborator and future record (including a young Bobby Sherman!) producer Gary Usher.
Cheeky Harvey Kurtzman spells out just what sort of ‘Fun, Fun, Fun‘ could be had « ’til her daddy takes the T-bird away ».
Nice drawing, although the only detail Ralph Reese truly gets right is poor Dennis Wilson‘s ill-starred appetite for the ladies. Also… Mike Love with a guitar, really?
Those only familiar with Dan Green (1951-2023; another awkward lacuna from Lambiek’s comiclopedia) as a journeyman inker at Marvel and DC will likely be surprised at his adroitness with a brush. Here he tackles Wilson and Van Dyke Parks‘ (a true gentleman… and also from the class of ’43) arguably most ambitious œuvre, Heroes and Villains.
A surprising clay-based entry from Joey Epstein and her husband, our beloved Tom Hachtman, photographed by Ben Asen. The likenesses are pretty solid… save for Brian, who’s too skinny. The song in question is, of course, Vegetables. « I know that you’ll feel better when you send us in your letter an’ tell us the name of your… your favorite vege-table. »
This is former Air Pirate and Dirty Duck and Popeye cartoonist Bobby London‘s joyous celebration of Cool, Cool, Water, a tune intended for inclusion on the Beach Boys’ fabled Smile album (though it initially surfaced on their excellent Sunflower LP). To this day, however, London’s got mixed feelings about the whole thing. To begin with, he had no particular fondness for the Beach Boys, and getting dragged by Preiss to a late-70s BB live show, sans Brian (who was in no shape to perform anyhow) and with Dennis likely off promoting his Pacific Ocean Blue album, didn’t move the needle one iota. As London told me: « I had something more interesting and less Crumb-y in mind. »
Now *that* is caricature. Despite depicting the Boys as animals, illustrator — and Official Horror Host Hall of Fame inductee — George Chastain unerringly nails the essence of each, not to mention the group dynamics: of course Brian’s off to do his own thing. Not linked to any specific song, this is nonetheless my favourite piece in the book. Take a bow, sir!

-RG

p.s. I should also mention that another one of my favourite musicians died this week, namely Argentine composer Boris Claudio ‘Lalo’ Schifrin, but as he was born in 1932 (he was ninety-three!), his inclusion would have spoiled the pattern. Hope you understand, Lalo. Here’s a mesmerising favourite from his jazz sideman days: 1963’s The Fakir, recorded by Cal Tjader (« the Swedish Nerd king of Latin Jazz », as my friend Rupert dubbed him), and composed, arranged and conducted by Señor Schifrin.

« Pépin le Long, You’re Fired! »

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« Qui a eu cette idée folle? » — France Gall

This is *nearly* a tale of two Rolands, both named Sabatier, both born in France and in the year 1942. One deservedly became a darling of the avant-garde as a standard bearer of the ‘Lettrisme’ art movement. He was evidently a genius, he passed away in 2022, and well, that’s not the one I’ll be writing about, at least this time.

So we’re left with the other Roland Sabatier (1942 –), who’s a bit of a cypher: the Lambiek comiclopedia somehow failed to include him, despite his considerable achievements. Roland also — bafflingly — fails to even rate a passing mention in Richard Medioni‘s otherwise exhaustive Mon camarade, Vaillant, Pif Gadget, L’Histoire complète 1901-1994. To be perfectly honest, I hadn’t heard of him until this year, when I ordered a batch of cheap issues of Vaillant from a friendly French dealer. While I already knew the vast majority of the fabled bédé weekly’s stars, one unknown entity stood out, by virtue of both obscurity and evident talent.

Pépin le long is a high concept strip about a poor schmuck who keeps getting fired, generally through some innocent mistake. His moniker is a play on Pépin le bref (714-768), one of the early kings of France, and a sterling example of the absolute necessity of keeping church and state separate. *That* Pépin is perhaps most famous for being papa to Charlemagne (748–814), King of the Franks and first Holy Roman Emperor.

Originally published in Vaillant, le journal de Pif no. 1131 (Jan. 15 1967, Les Éditions Vaillant).
Originally published in Vaillant, le journal de Pif no. 1132 (Jan. 22 1967, Les Éditions Vaillant).
Originally published in Vaillant, le journal de Pif no. 1133 (Jan. 29 1967, Les Éditions Vaillant).
Originally published in Vaillant, le journal de Pif no. 1135 (Feb. 12 1967, Les Éditions Vaillant). I love those enthusiastic doggies, even if they do strip a horse to the bone like they’re piranhas.
Originally published in Vaillant, le journal de Pif no. 1141 (Mar. 26 1967, Les Éditions Vaillant).
Originally published in Vaillant, le journal de Pif no. 1144 (Apr. 16 1967, Les Éditions Vaillant).
… and the swan song, second of two strips appearing in issue 1144. Excellent use of the vertical format for the finale!
« No, young man: I’m the other, avant-garde Roland Sabatier. »

There were only ten Pépé le long strips, and I’ve managed to gather seven. Not bad, given their rarity.

Before Pépin, in 1965-66, Sabatier had illustrated several — some forty — instalments of Vaillant’s established « Au rendez-vous de l’aventure » (1956-66), wherein readers sent in their personal stories of everyday adventure. Here’s a pair of examples.

Originally published in Vaillant, le journal de Pif no. 1068 (Oct. 31 1965, Les Éditions Vaillant).
Remember cursive? Originally published in Vaillant, le journal de Pif no. 1073 (Dec. 5 1965, Les Éditions Vaillant).

-RG